Matilda / Матильда (by Dahl Roald, 2013) - аудиокнига на английском

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Matilda / Матильда (by Dahl Roald, 2013) - аудиокнига на английском

Matilda / Матильда (by Dahl Roald, 2013) - аудиокнига на английском

Общеизвестный факт, что современные дети не отличаются страстью к чтению книг. Матильда — поистине уникальная девочка, заглатывающая тексты с особым рвением, стремясь успеть прочитать как можно больше произведений великих авторов, чтобы расширить границы сознания. Казалось бы, родители талантливой малышки просто обязаны гордиться всесторонне развитым отпрыском, но, на деле, любовь Матильды к познанию окружающего мира только раздражает ее глупых и ограниченных маму и папу. Окружающие взрослые уверены, что порывы юной леди к самообразованию создадут лишние проблемы, и в очередной раз подчеркнут некомпетентность системы образования в ее общепринятом проявлении. Сама же неординарная школьница считает старших обманщиками и эгоистами, не желающими тратить личное время на потребности других. Обнаружив в себе помимо других достоинств еще и сверхъестественные способности, ученица принимает решение использовать открывшуюся силу, чтобы наказать нерадивых наставников.

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Matilda / Матильда (by Dahl Roald, 2013) - аудиокнига на английском
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Dahl Roald
Kate Winslet
Аудиокниги на английском языке / Аудиокниги жанра детская литература на английском / Аудиокниги жанра современная проза на английском я / Аудиокниги жанра фантастика на английском языке / Аудиокниги жанра юмор на английском языке / Английский для детей онлайн бесплатно / Аудиокниги уровня elementary на английском
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The Reader of Books It's a funny thing about mothers and fathers. Even when their own child is the most disgusting little blister you could ever imagine, they still think that he or she is wonderful. Some parents go further. They become so blinded by adoration they manage to convince themselves their child has qualities of genius. Well, there is nothing very wrong with all this. It's the way of the world. It is only when the parents begin telling us about the brilliance of their own revolting offspring, that we start shouting, "Bring us a basin! We're going to be sick!" School teachers suffer a good deal from having to listen to this sort of twaddle from proud parents, but they usually get their own back when the time comes to write the end-of-term reports. If I were a teacher I would cook up some real scorchers for the children of doting parents. "Your son Maximilian", I would write, "is a total wash-out. I hope you have a family business you can push him into when he leaves school because he sure as heck won't get a job anywhere else." Or if I were feeling lyrical that day, I might write, "It is a curious truth that grasshoppers have their hearing-organs in the sides of the abdomen. Your daughter Vanessa, judging by what she's learnt this term, has no hearing-organs at all." I might even delve deeper into natural history and say, "The periodical cicada spends six years as a grub underground, and no more than six days as a free creature of sunlight and air. Your son Wilfred has spent six years as a grub in this school and we are still waiting for him to emerge from the chrysalis." A particularly poisonous little girl might sting me into saying, "Fiona has the same glacial beauty as an iceberg, but unlike the iceberg she has absolutely nothing below the surface." I think I might enjoy writing end-of-term reports for the stinkers in my class. But enough of that. We have to get on. Occasionally one comes across parents who take the opposite line, who show no interest at all in their children, and these of course are far worse than the doting ones. Mr and Mrs Wormwood were two such parents. They had a son called Michael and a daughter called Matilda, and the parents looked upon Matilda in particular as nothing more than a scab. A scab is something you have to put up with until the time comes when you can pick it off and flick it away. Mr and Mrs Wormwood looked forward enormously to the time when they could pick their little daughter off and flick her away, preferably into the next county or even further than that. It is bad enough when parents treat ordinary children as though they were scabs and bunions, but it becomes somehow a lot worse when the child in question is extraordinary, and by that I mean sensitive and brilliant. Matilda was both of these things, but above all she was brilliant. Her mind was so nimble and she was so quick to learn that her ability should have been obvious even to the most half-witted of parents. But Mr and Mrs Wormwood were both so gormless and so wrapped up in their own silly little lives that they failed to notice anything unusual about their daughter. To tell the truth, I doubt they would have noticed had she crawled into the house with a broken leg. Matilda's brother Michael was a perfectly normal boy, but the sister, as I said, was something to make your eyes pop. By the age of one and a half her speech was perfect and she knew as many words as most grown-ups. The parents, instead of applauding her, called her a noisy chatterbox and told her sharply that small girls should be seen and not heard. By the time she was three, Matilda had taught herself to read by studying newspapers and magazines that lay around the house. At the age of four, she could read fast and well and she naturally began hankering after books. The only book in the whole of this enlightened household was something called Easy Cooking belonging to her mother, and when she had read this from cover to cover and had learnt all the recipes by heart, she decided she wanted something more interesting. "Daddy," she said, "do you think you could buy me a book?" "A book?" he said. "What d'you want a flaming book for?" "To read, Daddy." "What's wrong with the telly, for heaven's sake? We've got a lovely telly with a twelve-inch screen and now you come asking for a book! You're getting spoiled, my girl!" Nearly every weekday afternoon Matilda was left alone in the house. Her brother (five years older than her) went to school. Her father went to work and her mother went out playing bingo in a town eight miles away. Mrs Wormwood was hooked on bingo and played it five afternoons a week. On the afternoon of the day when her father had refused to buy her a book, Matilda set out all by herself to walk to the public library in the village. When she arrived, she introduced herself to the librarian, Mrs Phelps. She asked if she might sit awhile and read a book. Mrs Phelps, slightly taken aback at the arrival of such a tiny girl unacccompanied by a parent, nevertheless told her she was very welcome. "Where are the children's books please?" Matilda asked. "They're over there on those lower shelves," Mrs Phelps told her. "Would you like me to help you find a nice one with lots of pictures in it?" "No, thank you," Matilda said. "I'm sure I can manage." From then on, every afternoon, as soon as her mother had left for bingo, Matilda would toddle down to the library. The walk took only ten minutes and this allowed her two glorious hours sitting quietly by herself in a cosy corner devouring one book after another. When she had read every single children's book in the place, she started wandering round in search of something else. Mrs Phelps, who had been watching her with fascination for the past few weeks, now got up from her desk and went over to her. "Can I help you, Matilda?" she asked. "I'm wondering what to read next," Matilda said. "I've finished all the children's books." "You mean you've looked at the pictures?" "Yes, but I've read the books as well." Mrs Phelps looked down at Matilda from her great height and Matilda looked right back up at her. "I thought some were very poor," Matilda said, "but others were lovely. I liked The Secret Garden best of all. It was full of mystery. The mystery of the room behind the closed door and the mystery of the garden behind the big wall." Mrs Phelps was stunned. ''Exactly how old are you, Matilda?" she asked. "Four years and three months," Matilda said. Mrs Phelps was more stunned than ever, but she had the sense not to show it. "What sort of a book would you like to read next?" she asked. Matilda said, "I would like a really good one that grown-ups read. A famous one. I don't know any names." Mrs Phelps looked along the shelves, taking her time. She didn't quite know what to bring out. How, she asked herself, does one choose a famous grown-up book for a four-year-old girl? Her first thought was to pick a young teenager's romance of the kind that is written for fifteen-year-old schoolgirls, but for some reason she found herself instinctively walking past that particular shelf. "Try this," she said at last. "It's very famous and very good. If it's too long for you, just let me know and I'll find something shorter and a bit easier." "Great Expectations," Matilda read, "by Charles Dickens. I'd love to try it." I must be mad, Mrs Phelps told herself, but to Matilda she said, "Of course you may try it." Over the next few afternoons Mrs Phelps could hardly take her eyes from the small girl sitting for hour after hour in the big armchair at the far end of the room with the book on her lap. It was necessary to rest it on the lap because it was too heavy for her to hold up, which meant she had to sit leaning forward in order to read. And a strange sight it was, this tiny dark-haired person sitting there with her feet nowhere near touching the floor, totally absorbed in the wonderful adventures of Pip and old Miss Havisham and her cobwebbed house and by the spell of magic that Dickens the great story-teller had woven with his words. The only movement from the reader was the lifting of the hand every now and then to turn over a page, and Mrs Phelps always felt sad when the time came for her to cross the floor and say; "It's ten to five, Matilda." During the first week of Matilda's visits Mrs Phelps had said to her, "Does your mother walk you down here every day and then take you home?" "My mother goes to Aylesbury every afternoon to play bingo," Matilda had said. "She doesn't know I come here." "But that's surely not right," Mrs Phelps said. "I think you'd better ask her." "I'd rather not," Matilda said. "She doesn't encourage reading books. Nor does my father." "But what do they expect you to do every afternoon in an empty house?" "Just mooch around and watch the telly." "I see." "She doesn't really care what I do," Matilda said a little sadly. Mrs Phelps was concerned about the child's safety on the walk through the fairly busy village High Street and the crossing of the road, but she decided not to interfere. Within a week, Matilda had finished Great Expectations which in that edition contained four hundred and eleven pages. "I loved it," she said to Mrs Phelps. "Has Mr Dickens written any others?" "A great number," said the astounded Mrs Phelps. "Shall I choose you another?" Over the next six months, under Mrs Phelps's watchful and compassionate eye, Matilda read the following books: Nicholas Nickleby by Charles Dickens Oliver Twist by Charles Dickens Jane Eyre by Charlotte Bronte Pride and Prejudice by Jane Austen Tess of the D'Urbervilles by Thomas Hardy Gone to Earth by Mary Webb Kim by Rudyard Kipling The Invisible Man by H. G. Wells The Old Man and the Sea by Ernest Hemingway The Sound and the Fury by William Faulkner The Grapes of Wrath by John Steinbeck The Good Companions by J. B. Priestley Brighton Rock by Graham Greene Animal Farm by George Orwell It was a formidable list and by now Mrs Phelps was filled with wonder and excitement, but it was probably a good thing that she did not allow herself to be completely carried away by it all. Almost anyone else witnessing the achievements of this small child would have been tempted to make a great fuss and shout the news all over the village and beyond, but not so Mrs Phelps. She was someone who minded her own business and had long since discovered it was seldom worth while to interfere with other people's children. "Mr Hemingway says a lot of things I don't understand," Matilda said to her. "Especially about men and women. But I loved it all the same. The way he tells it I feel I am right there on the spot watching it all happen." ''A fine writer will always make you feel that," Mrs Phelps said. "And don't worry about the bits you can't understand. Sit back and allow the words to wash around you, like music." "I will, I will." "Did you know", Mrs Phelps said, "that public libraries like this allow you to borrow books and take them home?" "I didn't know that," Matilda said. "Could I do it?" "Of course," Mrs Phelps said. "When you have chosen the book you want, bring it to me so I can make a note of it and it's yours for two weeks. You can take more than one if you wish." From then on, Matilda would visit the library only once a week in order to take out new books and return the old ones. Her own small bedroom now became her reading-room and there she would sit and read most afternoons, often with a mug of hot chocolate beside her. She was not quite tall enough to reach things around the kitchen, but she kept a small box in the outhouse which she brought in and stood on in order to get whatever she wanted. Mostly it was hot chocolate she made, warming the milk in a saucepan on the stove before mixing it. Occasionally she made Bovril or Ovaltine. It was pleasant to take a hot drink up to her room and have it beside her as she sat in her silent room reading in the empty house in the afternoons. The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went on olden-day sailing ships with Joseph Conrad. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She travelled all over the world while sitting in her little room in an English village. Mr Wormwood, the Great Car Dealer Matilda's parents owned quite a nice house with three bedrooms upstairs, while on the ground floor there was a dining-room and a living-room and a kitchen. Her father was a dealer in second-hand cars and it seemed he did pretty well at it. "Sawdust", he would say proudly, "is one of the great secrets of my success. And it costs me nothing. I get it free from the sawmill." "What do you use it for?" Matilda asked him. "Ha!" the father said. "Wouldn't you like to know." "I don't see how sawdust can help you to sell second-hand cars, daddy." "That's because you're an ignorant little twit," the father said. His speech was never very delicate but Matilda was used to it. She also knew that he liked to boast and she would egg him on shamelessly. "You must be very clever to find a use for something that costs nothing," she said. "I wish I could do it." "You couldn't," the father said. "You're too stupid. But I don't mind telling young Mike here about it seeing he'll be joining me in the business one day." Ignoring Matilda, he turned to his son and said, "I'm always glad to buy a car when some fool has been crashing the gears so badly they're all worn out and rattle like mad. I get it cheap. Then all I do is mix a lot of sawdust with the oil in the gear-box and it runs as sweet as a nut." "How long will it run like that before it starts rattling again?" Matilda asked him. "Long enough for the buyer to get a good distance away," the father said, grinning. "About a hundred miles." "But that's dishonest, daddy," Matilda said. "It's cheating." "No one ever got rich being honest," the father said. "Customers are there to be diddled." Mr Wormwood was a small ratty-looking man whose front teeth stuck out underneath a thin ratty moustache. He liked to wear jackets with large brightly-coloured checks and he sported ties that were usually yellow or pale green. "Now take mileage for instance," he went on. "Anyone who's buying a second-hand car, the first thing he wants to know is how many miles it's done. Right?" "Right," the son said. "So I buy an old dump that's got about a hundred and fifty thousand miles on the clock. I get it cheap. But no one's going to buy it with a mileage like that, are they? And these days you can't just take the speedometer out and fiddle the numbers back like you used to ten years ago. They've fixed it so it's impossible to tamper with it unless you're a ruddy watchmaker or something. So what do I do? I use my brains, laddie, that's what I do." "How?" young Michael asked, fascinated. He seemed to have inherited his father's love of crookery. "I sit down and say to myself, how can I convert a mileage reading of one hundred and fifty thousand into only ten thousand without taking the speedometer to pieces? Well, if I were to run the car backwards for long enough then obviously that would do it. The numbers would click backwards, wouldn't they? But who's going to drive a flaming car in reverse for thousands and thousands of miles? You couldn't do it!" "Of course you couldn't," young Michael said. "So I scratch my head," the father said. "I use my brains. When you've been given a fine brain like I have, you've got to use it. And all of a sudden, the answer hits me. I tell you, I felt exactly like that other brilliant fellow must have felt when he discovered penicillin. 'Eureka!' I cried. 'I've got it!" ' "What did you do, dad?" the son asked him. "The speedometer", Mr Wormwood said, "is run off a cable that is coupled up to one of the front wheels. So first I disconnect the cable where it joins the front wheel. Next, I get one of those high-speed electric drills and I couple that up to the end of the cable in such a way that when the drill turns, it turns the cable backwards. You got me so far? You following me?" "Yes, daddy," young Michael said. "These drills run at a tremendous speed," the father said, "so when I switch on the drill the mileage numbers on the speedo spin backwards at a fantastic rate. I can knock fifty thousand miles off the clock in a few minutes with my high-speed electric drill. And by the time I've finished, the car's only done ten thousand and it's ready for sale. 'She's almost new,' I say to the customer. 'She's hardly done ten thou. Belonged to an old lady who only used it once a week for shopping.' " "Can you really turn the mileage back with an electric drill?" young Michael asked. "I'm telling you trade secrets," the father said. "So don't you go talking about this to anyone else. You don't want me put in jug, do you?" "I won't tell a soul," the boy said. "Do you do this to many cars, dad?" "Every single car that comes through my hands gets the treatment," the father said. "They all have their mileage cut to under under ten thou before they're offered for sale. And to think I invented that all by myself," he added proudly. "It's made me a mint." Matilda, who had been listening closely, said, "But daddy, that's even more dishonest than the sawdust. It's disgusting. You're cheating people who trust you." "If you don't like it then don't eat the food in this house," the father said. "It's bought with the profits." "It's dirty money," Matilda said. "I hate it." Two red spots appears on the father's cheeks. "Who the heck do you think you are," he shouted, "The Archbishop of Canterbury or something, preaching to me about honesty? You're just an ignorant little squirt who hasn't the foggiest idea what you're talking about!" "Quite right, Harry," the mother said. And to Matilda she said, "You've got a nerve talking to your father like that. Now keep your nasty mouth shut so we can all watch this programme in peace." They were in the living-room eating their suppers on their knees in front of the telly. The suppers were TV dinners in floppy aluminium containers with separate compartments for the stewed meat, the boiled potatoes and the peas. Mrs Wormwood sat munching her meal with her eyes glued to the American soap-opera on the screen. She was a large woman whose hair was dyed platinum blonde except where you could see the mousy-brown bits growing out from the roots. She wore heavy makeup and she had one of those unfortunate bulging figures where the flesh appears to be strapped in all around the body to prevent it from falling out. "Mummy," Matilda said, "would you mind if I ate my supper in the dining-room so I could read my book?" The father glanced up sharply. "I would mind!" he snapped. "Supper is a family gathering and no one leaves the table till it's over!" "But we're not at the table," Matilda said. "We never are. We're always eating off our knees and watching the telly. "What's wrong with watching the telly, may I ask?" the father said. His voice had suddenly become soft and dangerous. Matilda didn't trust herself to answer him, so she kept quiet. She could feel the anger boiling up inside her. She knew it was wrong to hate her parents like this, but she was finding it very hard not to do so. All the reading she had done had given her a view of life that they had never seen. If only they would read a little Dickens or Kipling they would soon discover there was more to life than cheating people and watching television. Another thing. She resented being told constantly that she was ignorant and stupid when she knew she wasn't. The anger inside her went on boiling and boiling, and as she lay in bed that night she made a decision. She decided that every time her father or her mother was beastly to her, she would get her own back in some way or another. A small victory or two would help her to tolerate their idiocies and would stop her from going crazy. You must remember that she was still hardly five years old and it is not easy for somebody as small as that to score points against an all-powerful grown-up. Even so, she was determined to have a go. Her father, after what had happened in front of the telly that evening, was first on her list. The Hat and the Superglue The following morning, just before the father left for his beastly second-hand car garage, Matilda slipped into the cloakroom and got hold of the hat he wore each day to work. She had to stand on her toes and reach up as high as she could with a walking-stick in order to hook the hat off the peg, and even then she only just made it. The hat itself was one of those flat-topped pork-pie jobs with a jay's feather stuck in the hat-band and Mr Wormwood was very proud of it. He thought it gave him a rakish daring look, especially when he wore it at an angle with his loud checked jacket and green tie. Matilda, holding the hat in one hand and a thin tube of Superglue in the other, proceeded to squeeze a line of glue very neatly all round the inside rim of the hat. Then she carefully hooked the hat back on to the peg with the walking-stick. She timed this operation very carefully, applying the glue just as her father was getting up from the breakfast table. Mr Wormwood didn't notice anything when he put the hat on, but when he arrived at the garage he couldn't get it off. Superglue is very powerful stuff, so powerful it will take your skin off if you pull too hard. Mr Wormwood didn't want to be scalped so he had to keep the hat on his head the whole day long, even when putting sawdust in gear-boxes and fiddling the mileages of cars with his electric drill. In an effort to save face, he adopted a casual attitude hoping that his staff would think that he actually meant to keep his hat on all day long just for the heck of it, like gangsters do in the films. When he got home that evening he still couldn't get the hat off. "Don't be silly," his wife said. "Come here. I'll take it off for you." She gave the hat a sharp yank. Mr Wormwood let out a yell that rattled the window-panes. "Ow-w-w!" he screamed. "Don't do that! Let go! You'll take half the skin off my forehead!" Matilda, nestling in her usual chair, was watching this performance over the rim of her book with some interest. "What's the matter, daddy?" she said. "Has your head suddenly swollen or something?" The father glared at his daughter with deep suspicion, but said nothing. How could he? Mrs Wormwood said to him, "It must be Superglue. It couldn't be anything else. That'll teach you to go playing round with nasty stuff like that. I expect you were trying to stick another feather in your hat." "I haven't touched the flaming stuff!" Mr Wormwood shouted. He turned and looked again at Matilda who looked back at him with large innocent brown eyes. Mrs Wormwood said to him, "You should read the label on the tube before you start messing with dangerous products. Always follow the instructions on the label." "What in heaven's name are you talking about, you stupid witch?" Mr Wormwood shouted, clutching the brim of his hat to stop anyone trying to pull it off again. "D'you think I'm so stupid I'd glue this thing to my head on purpose?" Matilda said, "There's a boy down the road who got some Superglue on his finger without knowing it and then he put his finger to his nose." Mr Wormwood jumped. "What happened to him?" he spluttered. "The finger got stuck inside his nose," Matilda said, "and he had to go around like that for a week. People kept saying to him, 'Stop picking your nose,' and he couldn't do anything about it. He looked an awful fool." "Serve him right," Mrs Wormwood said. "He shouldn't have put his finger up there in the first place. It's a nasty habit. If all children had Superglue put on their fingers they'd soon stop doing it." Matilda said, "Grown-ups do it too, mummy. I saw you doing it yesterday in the kitchen." "That's quite enough from you," Mrs Wormwood said, turning pink. Mr Wormwood had to keep his hat on all through supper in front of the television. He looked ridiculous and he stayed very silent. When he went up to bed he tried again to get the thing off, and so did his wife, but it wouldn't budge. "How am I going to have my shower?" he demanded. "You'll just have to do without it, won't you," his wife told him. And later on, as she watched her skinny little husband skulking around the bedroom in his purple-striped pyjamas with a pork-pie hat on his head, she thought how stupid he looked. Hardly the kind of man a wife dreams about, she told herself. Mr Wormwood discovered that the worst thing about having a permanent hat on his head was having to sleep in it. It was impossible to lie comfortably on the pillow. "Now do stop fussing around," his wife said to him after he had been tossing and turning for about an hour. "I expect it will be loose by the morning and then it'll slip off easily." But it wasn't loose by the morning and it wouldn't slip off. So Mrs Wormwood took a pair of scissors and cut the thing off his head, bit by bit, first the top and then the brim. Where the inner band had stuck to the hair all around the sides and back, she had to chop the hair off right to the skin so that he finished up with a bald white ring round his head, like some sort of a monk. And in the front, where the band had stuck directly to the bare skin, there remained a whole lot of small patches of brown leathery stuff that no amount of washing would get off. At breakfast Matilda said to him, "You must try to get those bits off your forehead, daddy. It looks as though you've got little brown insects crawling about all over you. People will think you've got lice." "Be quiet!" the father snapped. "Just keep your nasty mouth shut, will you!" All in all it was a most satisfactory exercise. But it was surely too much to hope that it had taught the father a permanent lesson. The Ghost There was comparative calm in the Wormwood household for about a week after the Superglue episode. The experience had clearly chastened Mr Wormwood and he seemed temporarily to have lost his taste for boasting and bullying. Then suddenly he struck again. Perhaps he had had a bad day at the garage and had not sold enough crummy second-hand cars. There are many things that make a man irritable when he arrives home from work in the evening and a sensible wife will usually notice the storm-signals and will leave him alone until he simmers down. When Mr Wormwood arrived back from the garage that evening his face was as dark as a thundercloud and somebody was clearly for the high-jump pretty soon. His wife recognised the signs immediately and made herself scarce. He then strode into the living-room. Matilda happened to be curled up in an arm-chair in the corner, totally absorbed in a book. Mr Wormwood switched on the television. The screen lit up. The programme blared. Mr Wormwood glared at Matilda. She hadn't moved. She had somehow trained herself by now to block her ears to the ghastly sound of the dreaded box. She kept right on reading, and for some reason this infuriated the father. Perhaps his anger was intensified because he saw her getting pleasure from something that was beyond his reach. "Don't you ever stop reading?" he snapped at her. "Oh, hello daddy," she said pleasantly. "Did you have a good day?" "What is this trash?" he said, snatching the book from her hands. "It isn't trash, daddy, it's lovely. It's called The Red Pony. It's by John Steinbeck, an American writer. Why don't you try it? You'll love it." "Filth," Mr Wormwood said. "If it's by an American it's certain to be filth. That's all they write about." "No daddy, it's beautiful, honestly it is. It's about . . ." "I don't want to know what it's about," Mr Wormwood barked. "I'm fed up with your reading anyway. Go and find yourself something useful to do." With frightening suddenness he now began ripping the pages out of the book in handfuls and throwing them in the waste-paper basket. Matilda froze in horror. The father kept going. There seemed little doubt that the man felt some kind of jealousy. How dare she, he seemed to be saying with each rip of a page, how dare she enjoy reading books when he couldn't? How dare she? "That's a library book!" Matilda cried. "It doesn't belong to me! I have to return it to Mrs Phelps!" "Then you'll have to buy another one, won't you?" the father said, still tearing out pages. "You'll have to save your pocket-money until there's enough in the kitty to buy a new one for your precious Mrs Phelps, won't you?" With that he dropped the now empty covers of the book into the basket and marched out of the room, leaving the telly blaring. Most children in Matilda's place would have burst into floods of tears. She didn't do this. She sat there very still and white and thoughtful. She seemed to know that neither crying nor sulking ever got anyone anywhere. The only sensible thing to do when you are attacked is, as Napoleon once said, to counter-attack. Matilda's wonderfully subtle mind was already at work devising yet another suitable punishment for the poisonous parent. The plan that was now beginning to hatch in her mind depended, however, upon whether or not Fred's parrot was really as good a talker as Fred made out. Fred was a friend of Matilda's. He was a small boy of six who lived just around the corner from her, and for days he had been going on about this great talking parrot his father had given him. So the following afternoon, as soon as Mrs Wormwood had departed in her car for another session of bingo, Matilda set out for Fred's house to investigate. She knocked on his door and asked if he would be kind enough to show her the famous bird. Fred was delighted and led her up to his bedroom where a truly magnificent blue and yellow parrot sat in a tall cage. "There it is," Fred said. "It's name is Chopper." "Make it talk," Matilda said. "You can't make it talk," Fred said. "You have to be patient. It'll talk when it feels like it." They hung around, waiting. Suddenly the parrot said, "Hullo, hullo, hullo." It was exactly like a human voice. Matilda said, "That's amazing! What else can it say?" "Rattle my bones!" the parrot said, giving a wonderful imitation of a spooky voice. "Rattle my bones!" "He's always saying that," Fred told her . "What else can he say?" Matilda asked. "That's about it," Fred said. "But it is pretty marvellous don't you think?" "It's fabulous," Matilda said. "Will you lend him to me just for one night?" "No," Fred said. "Certainly not." "I'll give you all my next week's pocket-money," Matilda said. That was different. Fred thought about it for a few seconds. "All right, then," he said, "If you promise to return him tomorrow." Matilda staggered back to her own empty house carrying the tall cage in both hands. There was a large fireplace in the dining-room and she now set about wedging the cage up the chimney and out of sight. This wasn't so easy, but she managed it in the end. "Hullo, hullo, hullo!" the bird called down to her. "Hullo, hullo!" "Shut up, you nut!" Matilda said, and she went out to wash the soot off her hands. That evening while the mother, the father, the brother and Matilda were having supper as usual in the living-room in front of the television, a voice came loud and clear from the dining-room across the hall. "Hullo, hullo, hullo," it said. "Harry!" cried the mother, turning white. "There's someone in the house! I heard a voice!" "So did I!" the brother said. Matilda jumped up and switched off the telly. "Ssshh!" she said. "Listen!" They all stopped eating and sat there very tense, listening. "Hullo, hullo, hullo!" came the voice again. "There it is!" cried the brother. "It's burglars!" hissed the mother. "They're in the dining-room!" "I think they are," the father said, sitting tight. "Then go and catch them, Harry!" hissed the mother. "Go out and collar them red-handed!" The father didn't move. He seemed in no hurry to dash off and be a hero. His face had turned grey. "Get on with it!" hissed the mother. "They're probably after the silver!" The husband wiped his lips nervously with his napkin. "Why don't we all go and look together?" he said. "Come on, then," the brother said. "Come on, mum." "They're definitely in the dining-room," Matilda whispered. "I'm sure they are." The mother grabbed a poker from the fireplace. The father took a golf-club that was standing in the corner. The brother seized a table-lamp, ripping the plug out of its socket. Matilda took the knife she had been eating with, and all four of them crept towards the dining-room door, the father keeping well behind the others. "Hullo, hullo, hullo," came the voice again. "Come on!" Matilda cried and she burst into the room, brandishing her knife. "Stick 'em up!" she yelled. "We've caught you!" The others followed her, waving their weapons. Then they stopped. They stared around the room. There was no one there. "There's no one here," the father said, greatly relieved. "I heard him, Harry!" the mother shrieked, still quaking. "I distinctly heard his voice! So did you!" "I'm certain I heard him!" Matilda cried. "He's in here somewhere!" She began searching behind the sofa and behind the curtains. Then came the voice once again, soft and spooky this time, "Rattle my bones," it said. "Rattle my bones." They all jumped, including Matilda who was a pretty good actress. They stared round the room. There was still no one there. "It's a ghost," Matilda said. "Heaven help us!" cried the mother, clutching her husband round the neck. "I know it's a ghost!" Matilda said. "I've heard it here before! This room is haunted! I thought you knew that." "Save us!" the mother screamed, almost throttling her husband. "I'm getting out of here," the father said, greyer than ever now. They all fled, slamming the door behind them. The next afternoon, Matilda managed to get a rather sooty and grumpy parrot down from the chimney and out of the house without being seen. She carried it through the back-door and ran with it all the way to Fred's house. "Did it behave itself?" Fred asked her. "We had a lovely time with it," Matilda said. "My parents adored it." Arithmetic Matilda longed for her parents to be good and loving and understanding and honourable and intelligent. The fact that they were none of these things was something she had to put up with. It was not easy to do so. But the new game she had invented of punishing one or both of them each time they were beastly to her made her life more or less bearable. Being very small and very young, the only power Matilda had over anyone in her family was brainpower. For sheer cleverness she could run rings around them all. But the fact remained that any five-year-old girl in any family was always obliged to do as she was told, however asinine the orders might be. Thus she was always forced to eat her evening meals out of TV-dinner-trays in front of the dreaded box. She always had to stay alone on weekday afternoons, and whenever she was told to shut up, she had to shut up. Her safety-valve, the thing that prevented her from going round the bend, was the fun of devising and dishing out these splendid punishments, and the lovely thing was that they seemed to work, at any rate for short periods. The father in particular became less cocky and unbearable for several days after receiving a dose of Matilda's magic medicine. The parrot-in-the-chimney affair quite definitely cooled both parents down a lot and for over a week they were comparatively civil to their small daughter. But alas, this couldn't last. The next flare-up came one evening in the sitting-room. Mr Wormwood had just returned from work. Matilda and her brother were sitting quietly on the sofa waiting for their mother to bring in the TV dinners on a tray. The television had not yet been switched on. In came Mr Wormwood in a loud check suit and a yellow tie. The appalling broad orange-and-green check of the jacket and trousers almost blinded the onlooker. He looked like a low-grade bookmaker dressed up for his daughter's wedding, and he was clearly very pleased with himself this evening. He sat down in an armchair and rubbed his hands together and addressed his son in a loud voice. "Well, my boy," he said, "your father's had a most successful day. He is a lot richer tonight than he was this morning. He has sold no less than five cars, each one at a tidy profit. Sawdust in the gear-boxes, the electric-drill on the speedometer cables, a splash of paint here and there and a few other clever little tricks and the idiots were all falling over themselves to buy." He fished a bit of paper from his pocket and studied it. "Listen boy," he said, addressing the son and ignoring Matilda, "seeing as you'll be going into this business with me one day, you've got to know how to add up the profits you make at the end of each day. Go and get yourself a pad and a pencil and let's see how clever you are." The son obediently left the room and returned with the writing materials. "Write down these figures," the father said, reading from his bit of paper. "Car number one was bought by me for two hundred and seventy-eight pounds and sold for one thousand four hundred and twenty-five. Got that?" The ten-year-old boy wrote the two separate amounts down slowly and carefully. "Car number two", the father went on, "cost me one hundred and eighteen pounds and sold for seven hundred and sixty. Got it?" "Yes, dad," the son said. "I've got that." ''Car number three cost one hundred and eleven pounds and sold for nine hundred and ninety-nine pounds and fifty pence." "Say that again," the son said. "How much did it sell for?" "Nine hundred and ninety-nine pounds and fifty pence," the father said. "And that, by the way, is another of my nifty little tricks to diddle the customer. Never ask for a big round figure. Always go just below it. Never say one thousand pounds. Always say nine hundred and ninety-nine fifty. It sounds much less but it isn't. Clever, isn't it?" "Very," the son said. "You're brilliant, dad." "Car number four cost eighty-six pounds -- a real wreck that was -- and sold for six hundred and ninety-nine pounds fifty." "Not too fast," the son said, writing the numbers down. "Right. I've got it." "Car number five cost six hundred and thirty-seven pounds and sold for sixteen hundred and forty-nine fifty. You got all those figures written down, son?" "Yes, daddy," the boy said, crouching over his pad and carefully writing. "Very well," the father said. "Now work out the profit I made on each of the five cars and add up the total. Then you'll be able to tell me how much money your rather brilliant father made altogether today." "That's a lot of sums," the boy said. "Of course it's a lot of sums," the father answered. "But when you're in big business like I am, you've got to be hot stuff at arithmetic. I've practically got a computer inside my head. It took me less than ten minutes to work the whole thing out." "You mean you did it in your head, dad?" the son asked, goggling. "Well, not exactly," the father said. "Nobody could do that. But it didn't take me long. When you're finished, tell me what you think my profit was for the day. I've got the final total written down here and I'll tell you if you're right." Matilda said quietly, "Dad, you made exactly four thousand three hundred and three pounds and fifty pence altogether." "Don't butt in," the father said. "Your brother and I are busy with high finance." "But dad . . ." "Shut up," the father said. "Stop guessing and trying to be clever." "Look at your answer, dad," Matilda said gently. "If you've done it right it ought to be four thousand three hundred and three pounds and fifty pence. Is that what you've got, dad?" The father glanced down at the paper in his hand. He seemed to stiffen. He became very quiet. There was a silence. Then he said, "Say that again." "Four thousand three hundred and three pounds fifty," Matilda said. There was another silence. The father's face was beginning to go dark red. "I'm sure it's right," Matilda said. "You . . . you little cheat!" the father suddenly shouted, pointing at her with his finger. "You looked at my bit of paper! You read it off from what I've got written here!" "Daddy, I'm the other side of the room," Matilda said. "How could I possibly see it?" "Don't give me that rubbish!" the father shouted. "Of course you looked! You must have looked! No one in the world could give the right answer just like that, especially a girl! You're a little cheat, madam, that's what you are! A cheat and a liar!" At that point, the mother came in carrying a large tray on which were the four suppers. This time it was fish and chips which Mrs Wormwood had picked up in the fish and chip shop on her way home from bingo. It seemed that bingo afternoons left her so exhausted both physically and emotionally that she never had enough energy left to cook an evening meal. So if it wasn't TV dinners it had to be fish and chips. "What are you looking so red in the face about, Harry?" she said as she put the tray down on the coffee-table. "Your daughter's a cheat and a liar," the father said, taking his plate of fish and placing it on his knees. "Turn the telly on and let's not have any more talk." The Platinum-Blond Man There was no doubt in Matilda's mind that this latest display of foulness by her father deserved severe punishment, and as she sat eating her awful fried fish and fried chips and ignoring the television, her brain went to work on various possibilities. By the time she went up to bed her mind was made up. The next morning she got up early and went into the bathroom and locked the door. As we already know, Mrs Wormwood's hair was dyed a brilliant platinum blonde, very much the same glistening silvery colour as a female tightrope-walker's tights in a circus. The big dyeing job was done twice a year at the hairdresser's, but every month or so in between, Mrs Wormwood used to freshen it up by giving it a rinse in the washbasin with something called platinum blonde hair-dye extra strong. This also served to dye the nasty brown hairs that kept growing from the roots underneath. The bottle of PLATINUM BLONDE HAIR-DYE EXTRA STRONG was kept in the cupboard in the bathroom, and underneath the title on the label were written the words Caution, this is peroxide. Keep away from children. Matilda had read it many times with fascination. Matilda's father had a fine crop of black hair which he parted in the middle and of which he was exceedingly proud. "Good strong hair," he was fond of saying, "means there's a good strong brain underneath." "Like Shakespeare," Matilda had once said to him. "Like who?" "Shakespeare, daddy." "Was he brainy?" "Very, daddy." "He had masses of hair, did he?" "He was bald, daddy." To which the father had snapped, "If you can't talk sense then shut up." Anyway, Mr Wormwood kept his hair looking bright and strong, or so he thought, by rubbing into it every morning large quantities of a lotion called oil of violets hair tonic. A bottle of this smelly purple mixture always stood on the shelf above the sink in the bathroom alongside all the toothbrushes, and a very vigorous scalp massage with oil of violets took place daily after shaving was completed. This hair and scalp massage was always, accompanied by loud masculine grunts and heavy breathing and gasps of "Ahhh, that's better! That's the stuff! Rub it right into the roots!" which could be clearly heard by Matilda in her bedroom across the corridor. Now, in the early morning privacy of the bathroom, Matilda unscrewed the cap of her father's oil of violets and tipped three-quarters of the contents down the drain. Then she filled the bottle up with her mother's platinum blonde hair-dye extra strong. She carefully left enough of her father's original hair tonic in the bottle so that when she gave it a good shake the whole thing still looked reasonably purple. She then replaced the bottle on the shelf above the sink, taking care to put her mother's bottle back in the cupboard. So far so good. At breakfast time Matilda sat quietly at the dining-room table eating her cornflakes. Her brother sat opposite her with his back to the door devouring hunks of bread smothered with a mixture of peanut-butter and strawberry jam. The mother was just out of sight around the corner in the kitchen making Mr Wormwood's breakfast which always had to be two fried eggs on fried bread with three pork sausages and three strips of bacon and some fried tomatoes. At this point Mr Wormwood came noisily into the room. He was incapable of entering any room quietly, especially at breakfast time. He always had to make his appearance felt immediately by creating a lot of noise and clatter. One could almost hear him saying, "It's me! Here I come, the great man himself, the master of the house, the wage-earner, the one who makes it possible for all the rest of you to live so well! Notice me and pay your respects!" On this occasion he strode in and slapped his son on the back and shouted, "Well my boy, your father feels he's in for another great money-making day today at the garage! I've got a few little beauties I'm going to flog to the idiots this morning. Where's my breakfast?" "It's coming, treasure," Mrs Wormwood called from the kitchen. Matilda kept her face bent low over her cornflakes. She didn't dare look up. In the first place she wasn't at all sure what she was going to see. And secondly, if she did see what she thought she was going to see, she wouldn't trust herself to keep a straight face. The son was looking directly ahead out of the window stuffing himself with bread and peanut-butter and strawberry jam. The father was just moving round to sit at the head of the table when the mother came sweeping out from the kitchen carrying a huge plate piled high with eggs and sausages and bacon and tomatoes. She looked up. She caught sight of her husband. She stopped dead. Then she let out a scream that seemed to lift her right up into the air and she dropped the plate with a crash and a splash on to the floor. Everyone jumped, including Mr Wormwood. "What the heck's the matter with you, woman?" he shouted. "Look at the mess you've made on the carpet!" "Your hair!" the mother was shrieking, pointing a quivering finger at her husband. "Look at your hair! What've you done to your hair?" "What's wrong with my hair for heaven's sake?" he said. "Oh my gawd dad, what've you done to your hair?" the son shouted. A splendid noisy scene was building up nicely in the breakfast room. Matilda said nothing. She simply sat there admiring the wonderful effect of her own handiwork. Mr Wormwood's fine crop of black hair was now a dirty silver, the colour this time of a tightrope-walker's tights that had not been washed for the entire circus season. "You've . . . you've . . . you've dyed it!" shrieked the mother. "Why did you do it, you fool! It looks absolutely frightful! It looks horrendous! You look like a freak!" "What the blazes are you all talking about?" the father yelled, putting both hands to his hair. "I most certainly have not dyed it! What d'you mean I've dyed it? What's happened to it? Or is this some sort of a stupid joke?" His face was turning pale green, the colour of sour apples. "You must have dyed it, dad," the son said. "It's the same colour as mum's only much dirtier looking." "Of course he's dyed it!" the mother cried. "It can't change colour all by itself! What on earth were you trying to do, make yourself look handsome or something? You look like someone's grandmother gone wrong!" "Get me a mirror!" the father yelled. "Don't just stand there shrieking at me! Get me a mirror!" The mother's handbag lay on a chair at the other end of the table. She opened the bag and got out a powder compact that had a small round mirror on the inside of the lid. She opened the compact and handed it to her husband. He grabbed it and held it before his face and in doing so spilled most of the powder all over the front of his fancy tweed jacket. "Be careful!" shrieked the mother. "Now look what you've done! That's my best Elizabeth Arden face powder!" "Oh my gawd!" yelled the father, staring into the little mirror. "What's happened to me! I look terrible! I look just like you gone wrong! I can't go down to the garage and sell cars like this! How did it happen?" He stared round the room, first at the mother, then at the son, then at Matilda. "How could it have happened?" he yelled. "I imagine, daddy," Matilda said quietly, "that you weren't looking very hard and you simply took mummy's bottle of hair stuff off the shelf instead of your own." "Of course that's what happened!" the mother cried. "Well really Harry, how stupid can you get? Why didn't you read the label before you started splashing the stuff all over you! Mine's terribly strong. I'm only meant to use one tablespoon of it in a whole basin of water and you've gone and put it all over your head neat! It'll probably take all your hair off in the end! Is your scalp beginning to burn, dear?" "You mean I'm going to lose all my hair?" the husband yelled. "I think you will," the mother said. "Peroxide is a very powerful chemical. It's what they put down the lavatory to disinfect the pan only they give it another name." "What are you saying!" the husband cried. "I'm not a lavatory pan! I don't want to be disinfected!" "Even diluted like I use it," the mother told him, "it makes a good deal of my hair fall out, so goodness knows what's going to happen to you. I'm surprised it didn't take the whole of the top of your head off!" "What shall I do?" wailed the father. "Tell me quick what to do before it starts falling out!" Matilda said, "I'd give it a good wash, dad, if I were you, with soap and water. But you'll have to hurry." "Will that change the colour back?" the father asked anxiously. "Of course it won't, you twit," the mother said. "Then what do I do? I can't go around looking like this for ever?" "You'll have to have it dyed black," the mother said. "But wash it first or there won't be any there to dye." "Right!" the father shouted, springing into action. "Get me an appointment with your hairdresser this instant for a hair-dyeing job! Tell them it's an emergency! They've got to boot someone else off their list! I'm going upstairs to wash it now!" With that the man dashed out of the room and Mrs Wormwood, sighing deeply, went to the telephone to call the beauty parlour. "He does do some pretty silly things now and again, doesn't he, mummy?" Matilda said. The mother, dialling the number on the phone, said, "I'm afraid men are not always quite as clever as they think they are. You will learn that when you get a bit older, my girl." Miss Honey Matilda was a little late in starting school. Most children begin Primary School at five or even just before, but Matilda's parents, who weren't very concerned one way or the other about their daughter's education, had forgotten to make the proper arrangements in advance. She was five and a half when she entered school for the first time. The village school for younger children was a bleak brick building called Crunchem Hall Primary School. It had about two hundred and fifty pupils aged from five to just under twelve years old. The head teacher, the boss, the supreme commander of this establishment was a formidable middle-aged lady whose name was Miss Trunchbull. Naturally Matilda was put in the bottom class, where there were eighteen other small boys and girls about the same age as her. Their teacher was called Miss Honey, and she could not have been more than twenty-three or twenty-four. She had a lovely pale oval madonna face with blue eyes and her hair was light-brown. Her body was so slim and fragile one got the feeling that if she fell over she would smash into a thousand pieces, like a porcelain figure. Miss Jennifer Honey was a mild and quiet person who never raised her voice and was seldom seen to smile, but there is no doubt she possessed that rare gift for being adored by every small child under her care. She seemed to understand totally the bewilderment and fear that so often overwhelms young children who for the first time in their lives are herded into a classroom and told to obey orders. Some curious warmth that was almost tangible shone out of Miss Honey's face when she spoke to a confused and homesick newcomer to the class. Miss Trunchbull, the Headmistress, was something else altogether. She was a gigantic holy terror, a fierce tyrannical monster who frightened the life out of the pupils and teachers alike. There was an aura of menace about her even at a distance, and when she came up close you could almost feel the dangerous heat radiating from her as from a red-hot rod of metal. When she marched -- Miss Trunchbull never walked, she always marched like a storm-trooper with long strides and arms aswinging -- when she marched along a corridor you could actually hear her snorting as she went, and if a group of children happened to be in her path, she ploughed right on through them like a tank, with small people bouncing off her to left and right. Thank goodness we don't meet many people like her in this world, although they do exist and all of us are likely to come across at least one of them in a lifetime. If you ever do, you should behave as you would if you met an enraged rhinoceros out in the bush -- climb up the nearest tree and stay there until it has gone away. This woman, in all her eccentricities and in her appearance, is almost im- possible to describe, but I shall make some attempt to do so a little later on. Let us leave her for the moment and go back to Matilda and her first day in Miss Honey's class. After the usual business of going through all the names of the children, Miss Honey handed out a brand-new exercise-book to each pupil. "You have all brought your own pencils, I hope," she said. "Yes, Miss Honey," they chanted. "Good. Now this is the very first day of school for each one of you. It is the beginning of at least eleven long years of schooling that all of you are going to have to go through. And six of those years will be spent right here at Crunchem Hall where, as you know, your Headmistress is Miss Trunchbull. Let me for your own good tell you something about Miss Trunchbull. She insists upon strict discipline throughout the school, and if you take my advice you will do your very best to behave yourselves in her presence. Never argue with her. Never answer her back. Always do as she says. If you get on the wrong side of Miss Trunchbull she can liquidise you like a carrot in a kitchen blender. It's nothing to laugh about, Lavender. Take that grin off your face. All of you will be wise to remember that Miss Trunchbull deals very very severely with anyone who gets out of line in this school. Have you got the message?" "Yes, Miss Honey," chirruped eighteen eager little voices. "I myself", Miss Honey went on, "want to help you to learn as much as possible while you are in this class. That is because I know it will make things easier for you later on. For example, by the end of this week I shall expect every one of you to know the two-times table by heart. And in a year's time I hope you will know all the multiplication tables up to twelve. It will help you enormously if you do. Now then, do any of you happen to have learnt the two-times table already?" Matilda put up her hand. She was the only one. Miss Honey looked carefully at the tiny girl with dark hair and a round serious face sitting in the second row. "Wonderful," she said. "Please stand up and recite as much of it as you can." Matilda stood up and began to say the two-times table. When she got to twice twelve is twenty-four she didn't stop. She went right on with twice thirteen is twenty-six, twice fourteen is twenty-eight, twice fifteen is thirty, twice sixteen is . . ." "Stop!" Miss Honey said. She had been listening slightly spellbound to this smooth recital, and now she said, "How far can you go?" "How far?" Matilda said. "Well, I don't really know, Miss Honey. For quite a long way, I think." Miss Honey took a few moments to let this curious statement sink in. "You mean", she said, "that you could tell me what two times twenty-eight is?" "Yes, Miss Honey." "What is it?" "Fifty-six, Miss Honey." "What about something much harder, like two times four hundred and eighty-seven? Could you tell me that?" "I think so, yes," Matilda said. "Are you sure?" "Why yes, Miss Honey, I'm fairly sure." "What is it then, two times four hundred and eighty-seven?" "Nine hundred and seventy-four," Matilda said immediately. She spoke quietly and politely and without any sign of showing off. Miss Honey gazed at Matilda with absolute amazement, but when next she spoke she kept her voice level. "That is really splendid," she said. "But of course multiplying by two is a lot easier than some of the bigger numbers. What about the other multiplication tables? Do you know any of those?" "I think so, Miss Honey. I think I do." "Which ones, Matilda? How far have you got?" "I . . . I don't quite know," Matilda said. "I don't know what you mean." "What I mean is do you for instance know the three-times table?" "Yes, Miss Honey." "And the four-times?" "Yes, Miss Honey." "Well, how many do you know, Matilda? Do you know all the way up to the twelve-times table?" "Yes, Miss Honey." "What are twelve sevens?" "Eighty-four," Matilda said. Miss Honey paused and leaned back in her chair behind the plain table that stood in the middle of the floor in front of the class. She was considerably shaken by this exchange but took care not to show it. She had never come across a five-year-old before, or indeed a ten-year-old, who could multiply with such facility. "I hope the rest of you are listening to this," she said to the class. "Matilda is a very lucky girl. She has wonderful parents who have already taught her to multiply lots of numbers. Was it your mother, Matilda, who taught you?" "No, Miss Honey, it wasn't." "You must have a great father then. He must be a brilliant teacher." "No, Miss Honey," Matilda said quietly. "My father did not teach me." "You mean you taught yourself?" "I don't quite know," Matilda said truthfully. "It's just that I don't find it very difficult to multiply one number by another." Miss Honey took a deep breath and let it out slowly. She looked again at the small girl with bright eyes standing beside her desk so sensible and solemn. "You say you don't find it difficult to multiply one number by another," Miss Honey said. "Could you try to explain that a little bit." "Oh dear," Matilda said. "I'm not really sure." Miss Honey waited. The class was silent, all listening. "For instance," Miss Honey said, "if I asked you to multiply fourteen by nineteen . . . No, that's too difficult . . ." "It's two hundred and sixty-six," Matilda said softly. Miss Honey stared at her. Then she picked up a pencil and quickly worked out the sum on a piece of paper. "What did you say it was?" she said, looking up. "Two hundred and sixty-six," Matilda said. Miss Honey put down her pencil and removed her spectacles and began to polish the lenses with a piece of tissue. The class remained quiet, watching her and waiting for what was coming next. Matilda was still standing up beside her desk. "Now tell me, Matilda," Miss Honey said, still polishing, "try to tell me exactly what goes on inside your head when you get a multiplication like that to do. You obviously have to work it out in some way, but you seem able to arrive at the answer almost instantly. Take the one you've just done, fourteen multiplied by nineteen." "I . . . I . . . I simply put the fourteen down in my head and multiply it by nineteen," Matilda said. "I'm afraid I don't know how else to explain it. I've always said to myself that if a little pocket calculator can do it why shouldn't I?" "Why not indeed," Miss Honey said. "The human brain is an amazing thing." "I think it's a lot better than a lump of metal," Matilda said. "That's all a calculator is." "How right you are," Miss Honey said. "Pocket calculators are not allowed in this school anyway." Miss Honey was feeling quite quivery. There was no doubt in her mind that she had met a truly extraordinary mathematical brain, and words like child-genius and prodigy went flitting through her head. She knew that these sort of wonders do pop up in the world from time to time, but only once or twice in a hundred years. After all, Mozart was only five when he started composing for the piano and look what happened to him. "It's not fair," Lavender said. "How can she do it and we can't?" "Don't worry, Lavender, you'll soon catch up," Miss Honey said, lying through her teeth. At this point Miss Honey could not resist the temptation of exploring still further the mind of this astonishing child. She knew that she ought to be paying some attention to the rest of the class but she was altogether too excited to let the matter rest. "Well," she said, pretending to address the whole class, "let us leave sums for the moment and see if any of you have begun to learn to spell. Hands up anyone who can spell cat." Three hands went up. They belonged to Lavender, a small boy called Nigel and to Matilda. "Spell cat, Nigel." Nigel spelled it. Miss Honey now decided to ask a question that normally she would not have dreamed of asking the class on its first day. "I wonder", she said, "whether any of you three who know how to spell cat have learned how to read a whole group of words when they are strung together in a sentence?" "I have," Nigel said. "So have I," Lavender said. Miss Honey went to the blackboard and wrote with her white chalk the sentence, I have already begun to learn how to read long sentences. She had purposely made it difficult and she knew that there were precious few five-year-olds around who would be able to manage it. "Can you tell me what that says, Nigel?" she asked. "That's too hard," Nigel said. "Lavender?" "The first word is I," Lavender said. "Can any of you read the whole sentence?" Miss Honey asked, waiting for the "yes" that she felt certain was going to come from Matilda. "Yes," Matilda said. "Go ahead," Miss Honey said. Matilda read the sentence without any hesitation at all. "That really is very good indeed," Miss Honey said, making the understatement of her life. "How much can you read, Matilda?" "I think I can read most things, Miss Honey," Matilda said, "although I'm afraid I can't always understand the meanings." Miss Honey got to her feet and walked smartly out of the room, but was back in thirty seconds carrying a thick book. She opened it at random and placed it on Matilda's desk. "This is a book of humorous poetry," she said. "See if you can read that one aloud." Smoothly, without a pause and at a nice speed, Matilda began to read: "An epicure dining at Crewe Found a rather large mouse in his stew. Cried the waiter, "Don't shout And wave it about Or the rest will be wanting one too." Several children saw the funny side of the rhyme and laughed. Miss Honey said, "Do you know what an epicure is, Matilda?" "It is someone who is dainty with his eating," Matilda said. "That is correct," Miss Honey said. "And do you happen to know what that particular type of poetry is called?" "It's called a limerick," Matilda said. "That's a lovely one. It's so funny." "It's a famous one," Miss Honey said, picking up the book and returning to her table in front of the class. "A witty limerick is very hard to write," she added. "They look easy but they most certainly are not." "I know," Matilda said. "I've tried quite a few times but mine are never any good." "You have, have you?" Miss Honey said, more startled than ever. "Well Matilda, I would very much like to hear one of these limericks you say you have written. Could you try to remember one for us?" "Well," Matilda said, hesitating. "I've actually been trying to make up one about you, Miss Honey, while we've been sitting here." "About me!" Miss Honey cried. "Well, we've certainly got to hear that one, haven't we?" "I don't think I want to say it, Miss Honey." "Please tell it," Miss Honey said. "I promise I won't mind." "I think you will, Miss Honey, because I have to use your first name to make things rhyme and that's why I don't want to say it." "How do you know my first name?" Miss Honey asked. "I heard another teacher calling you by it just before we came in," Matilda said. "She called you Jenny." "I insist upon hearing this limerick," Miss Honey said, smiling one of her rare smiles. "Stand up and recite it." Reluctantly Matilda stood up and very slowly, very nervously, she recited her limerick: "The thing we all ask about Jenny Is, 'Surely there cannot be many Young girls in the place With so lovely a face?' The answer to that is, 'Not any!' " The whole of Miss Honey's pale and pleasant face blushed a brilliant scarlet. Then once again she smiled. It was a much broader one this time, a smile of pure pleasure. "Why, thank you, Matilda," she said, still smiling. "Although it is not true, it is really a very good limerick. Oh dear, oh dear, I must try to remember that one." From the third row of desks, Lavender said, "It's good. I like it." "It's true as well," a small boy called Rupert said. "Of course it's true," Nigel said. Already the whole class had begun to warm towards Miss Honey, although as yet she had hardly taken any notice of any of them except Matilda. "Who taught you to read, Matilda?" Miss Honey asked. "I just sort of taught myself, Miss Honey." "And have you read any books all by yourself, any children's books, I mean?" "I've read all the ones that are in the public library in the High Street, Miss Honey." "And did you like them?" "I liked some of them very much indeed," Matilda said, "but I thought others were fairly dull." "Tell me one that you liked." "I liked The Lion, the Witch and the Wardrobe," Matilda said. "I think Mr C. S. Lewis is a very good writer. But he has one failing. There are no funny bits in his books." "You are right there," Miss Honey said. "There aren't many funny bits in Mr Tolkien either," Matilda said. "Do you think that all children's books ought to have funny bits in them?" Miss Honey asked. "I do," Matilda said. "Children are not so serious as grown-ups and they love to laugh." Miss Honey was astounded by the wisdom of this tiny girl. She said, "And what are you going to do now that you've read all the children's books?" "I am reading other books," Matilda said. "I borrow them from the library. Mrs Phelps is very kind to me. She helps me to choose them." Miss Honey was leaning far forward over her work-table and gazing in wonder at the child. She had completely forgotten now about the rest of the class. "What other books?" she murmured. "I am very fond of Charles Dickens," Matilda said. "He makes me laugh a lot. Especially Mr Pickwick." At that moment the bell in the corridor sounded for the end of class. The Trunchbull In the interval, Miss Honey left the classroom and headed straight for the Headmistress's study. She felt wildly excited. She had just met a small girl who possessed, or so it seemed to her, quite extraordinary qualities of brilliance. There had not been time yet to find out exactly how brilliant the child was, but Miss Honey had learned enough to realise that something had to be done about it as soon as possible. It would be ridiculous to leave a child like that stuck in the bottom form. Normally Miss Honey was terrified of the Headmistress and kept well away from her, but at this moment she felt ready to take on anybody. She knocked on the door of the dreaded private study. "Enter!" boomed the deep and dangerous voice of Miss Trunchbull. Miss Honey went in. Now most head teachers are chosen because they possess a number of fine qualities. They understand children and they have the children's best interests at heart. They are sympathetic. They are fair and they are deeply interested in education. Miss Trunchbull possessed none of these qualities and how she ever got her present job was a mystery. She was above all a most formidable female. She had once been a famous athlete, and even now the muscles were still clearly in evidence. You could see them in the bull-neck, in the big shoulders, in the thick arms, in the sinewy wrists and in the powerful legs. Looking at her, you got the feeling that this was someone who could bend iron bars and tear telephone directories in half. Her face, I'm afraid, was neither a thing of beauty nor a joy for ever. She had an obstinate chin, a cruel mouth and small arrogant eyes. And as for her clothes . . . they were, to say the least, extremely odd. She always had on a brown cotton smock which was pinched in around the waist with a wide leather belt. The belt was fastened in front with an enormous silver buckle. The massive thighs which emerged from out of the smock were encased in a pair of extraordinary breeches, bottle-green in colour and made of coarse twill. These breeches reached to just below the knees and from there on down she sported green stockings with turn-up tops, which displayed her calf muscles to perfection. On her feet she wore flat-heeled brown brogues with leather flaps. She looked, in short, more like a rather eccentric and bloodthirsty follower of the stag-hounds than the headmistress of a nice school for children. When Miss Honey entered the study, Miss Trunchbull was standing beside her huge desk with a look of scowling impatience on her face. "Yes, Miss Honey," she said. "What is it you want? You're looking very flushed and flustered this morning. What's the matter with you? Have those little stinkers been flicking spitballs at you?" "No, Headmistress. Nothing like that." "Well, what is it then? Get on with it. I'm a busy woman." As she spoke, she reached out and poured herself a glass of water from a jug that was always on her desk. "There is a little girl in my class called Matilda Wormwood . . ." Miss Honey began. "That's the daughter of the man who owns Wormwood Motors in the village," Miss Trunchbull barked. She hardly ever spoke in a normal voice. She either barked or shouted. "An excellent person, Wormwood," she went on. "I was in there only yesterday. He sold me a car. Almost new. Only done ten thousand miles. Previous owner was an old lady who took it out once a year at the most. A terrific bargain. Yes, I liked Wormwood. A real pillar of our society. He told me the daughter was a bad lot though. He said to watch her. He said if anything bad ever happened in the school, it was certain to be his daughter who did it. I haven't met the little brat yet, but she'll know about it when I do. Her father said she's a real wart." "Oh no, Headmistress, that can't be right!" Miss Honey cried. "Oh yes, Miss Honey, it darn well is right! In fact, now I come to think of it, I'll bet it was she who put that stink-bomb under my desk here first thing this morning. The place stank like a sewer! Of course it was her! I shall have her for that, you see if I don't! What's she look like? Nasty little worm, I'll be bound. I have discovered, Miss Honey, during my long career as a teacher that a bad girl is a far more dangerous creature than a bad boy. What's more, they're much harder to squash. Squashing a bad girl is like trying to squash a bluebottle. You bang down on it and the darn thing isn't there. Nasty dirty things, little girls are. Glad I never was one." "Oh, but you must have been a little girl once, Headmistress. Surely you were." "Not for long anyway," Miss Trunchbull barked, grinning. "I became a woman very quickly." She's completely off her rocker, Miss Honey told herself. She's barmy as a bedbug. Miss Honey stood resolutely before the Headmistress. For once she was not going to be browbeaten. "I must tell you, Headmistress," she said, "that you are completely mistaken about Matilda putting a stink-bomb under your desk." "I am never mistaken, Miss Honey!" "But Headmistress, the child only arrived in school this morning and came straight to the classroom . . ." "Don't argue with me, for heaven's sake, woman! This little brute Matilda or whatever her name is has stink-bombed my study! There's no doubt about it! Thank you for suggesting it." "But I didn't suggest it, Headmistress." "Of course you did! Now what is it you want, Miss Honey? Why are you wasting my time?" "I came to you to talk about Matilda, Headmistress. I have extraordinary things to report about the child. May I please tell you what happened in class just now?" "I suppose she set fire to your skirt and scorched your knickers!" Miss Trunchbull snorted. "No, no!" Miss Honey cried out. "Matilda is a genius." At the mention of this word, Miss Trunchbull's face turned purple and her whole body seemed to swell up like a bullfrog's. "A genius!" she shouted. "What piffle is this you are talking, madam? You must be out of your mind! I have her father's word for it that the child is a gangster!" "Her father is wrong, Headmistress." "Don't be a twerp, Miss Honey! You have met the little beast for only half an hour and her father has known her all her life!" But Miss Honey was determined to have her say and she now began to describe some of the amazing things Matilda had done with arithmetic. "So she's learnt a few tables by heart, has she?" Miss Trunchbull barked. "My dear woman, that doesn't make her a genius! It makes her a parrot!" "But Headmistress she can read." "So can I," Miss Trunchbull snapped. "It is my opinion", Miss Honey said, "that Matilda should be taken out of my form and placed immediately in the top form with the eleven-year-olds." "Ha!" snorted Miss Trunchbull. "So you want to get rid of her, do you? So you can't handle her? So now you want to unload her on to the wretched Miss Plimsoll in the top form where she will cause even more chaos?" "No, no!" cried Miss Honey. "That is not my reason at all!" "Oh, yes it is!" shouted Miss Trunchbull. "I can see right through your little plot, madam! And my answer is no! Matilda stays where she is and it is up to you to see that she behaves herself." "But Headmistress, please . . ." "Not another word!" shouted Miss Trunchbull. "And in any case, I have a rule in this school that all children remain in their own age groups regardless of ability. Great Scott, I'm not having a little five-year-old brigand sitting with the senior girls and boys in the top form. Whoever heard of such a thing!" Miss Honey stood there helpless before this great red-necked giant. There was a lot more she would like to have said but she knew it was useless. She said softly, "Very well, then. It's up to you, Headmistress." "You're darn right it's up to me!" Miss Trunchbull bellowed. "And don't forget, madam, that we are dealing here with a little viper who put a stink-bomb under my desk . . ." "She did not do that, Headmistress!" "Of course she did it," Miss Trunchbull boomed. "And I'll tell you what. I wish to heavens I was still allowed to use the birch and belt as I did in the good old days! I'd have roasted Matilda's bottom for her so she couldn't sit down for a month!" Miss Honey turned and walked out of the study feeling depressed but by no means defeated. I am going to do something about this child, she told herself. I don't know what it will be, but I shall find a way to help her in the end. The Parents When Miss Honey emerged from the Headmistress's study, most of the children were outside in the playground. Her first move was to go round to the various teachers who taught the senior class and borrow from them a number of text-books, books on algebra, geometry, French, English Literature and the like. Then she sought out Matilda and called her into the classroom. "There is no point", she said, "in you sitting in class doing nothing while I am teaching the rest of the form the two-times table and how to spell cat and rat and mouse. So during each lesson I shall give you one of these text-books to study. At the end of the lesson you can come up to me with your questions if you have any and I shall try to help you. How does that sound?" "Thank you, Miss Honey," Matilda said. "That sounds fine." "I am sure," Miss Honey said, "that we'll be able to get you moved into a much higher form later on, but for the moment the Headmistress wishes you to stay where you are." "Very well, Miss Honey," Matilda said. "Thank you so much for getting those books for me." What a nice child she is, Miss Honey thought. I don't care what her father said about her, she seems very quiet and gentle to me. And not a bit stuck up in spite of her brilliance. In fact she hardly seems aware of it. So when the class reassembled, Matilda went to her desk and began to study a text-book on geometry which Miss Honey had given her. The teacher kept half an eye on her all the time and noticed that the child very soon became deeply absorbed in the book. She never glanced up once during the entire lesson. Miss Honey, meanwhile, was making another decision. She was deciding that she would go herself and have a secret talk with Matilda's mother and father as soon as possible. She simply refused to let the matter rest where it was. The whole thing was ridiculous. She couldn't believe that the parents were totally unaware of their daughter's remarkable talents. After all, Mr Wormwood was a successful motor-car dealer so she presumed that he was a fairly intelligent man himself. In any event, parents never underestimated the abilities of their own children. Quite the reverse. Sometimes it was well nigh impossible for a teacher to convince the proud father or mother that their beloved offspring was a complete nitwit. Miss Honey felt confident that she would have no difficulty in convincing Mr and Mrs Wormwood that Matilda was something very special indeed. The trouble was going to be to stop them from getting over-enthusiastic. And now Miss Honey's hopes began to expand even further. She started wondering whether permission might not be sought from the parents for her to give private tuition to Matilda after school. The prospect of coaching a child as bright as this appealed enormously to her professional instinct as a teacher. And suddenly she decided that she would go and call on Mr and Mrs Wormwood that very evening. She would go fairly late, between nine and ten o'clock, when Matilda was sure to be in bed. And that is precisely what she did. Having got the address from the school records, Miss Honey set out to walk from her own home to the Wormwood's house shortly after nine. She found the house in a pleasant street where each smallish building was separated from its neighbours by a bit of garden. It was a modern brick house that could not have been cheap to buy and the name on the gate said cosy nook. Nosey cook might have been better, Miss Honey thought. She was given to playing with words in that way. She walked up the path and rang the bell, and while she stood waiting she could hear the television blaring inside. The door was opened by a small ratty-looking man with a thin ratty moustache who was wearing a sports-coat that had an orange and red stripe in the material. "Yes?" he said, peering out at Miss Honey. "If you're selling raffle tickets I don't want any." "I'm not," Miss Honey said. "And please forgive me for butting in on you like this. I am Matilda's teacher at school and it is important I have a word with you and your wife." "Got into trouble already, has she?" Mr Wormwood said, blocking the doorway. "Well, she's your responsibility from now on. You'll have to deal with her." "She is in no trouble at all," Miss Honey said. "I have come with good news about her. Quite startling news, Mr Wormwood. Do you think I might come in for a few minutes and talk to you about Matilda?" "We are right in the middle of watching one of our favourite programmes," Mr Wormwood said. "This is most inconvenient. Why don't you come back some other time." Miss Honey began to lose patience. "Mr Wormwood," she said, "if you think some rotten TV programme is more important than your daughter's future, then you ought not to be a parent! Why don't you switch the darn thing off and listen to me!" That shook Mr Wormwood. He was not used to being spoken to in this way. He peered carefully at the slim frail woman who stood so resolutely out on the porch. "Oh very well then," he snapped. "Come on in and let's get it over with." Miss Honey stepped briskly inside. "Mrs Wormwood isn't going to thank you for this," the man said as he led her into the sitting-room where a large platinum-blonde woman was gazing rapturously at the TV screen. "Who is it?" the woman said, not looking round. "Some school teacher," Mr Wormwood said. "She says she's got to talk to us about Matilda." He crossed to the TV set and turned down the sound but left the picture on the screen. "Don't do that, Harry!" Mrs Wormwood cried out. "Willard is just about to propose to Angelica!" "You can still watch it while we're talking," Mr Wormwood said. "This is Matilda's teacher. She says she's got some sort of news to give us." "My name is Jennifer Honey," Miss Honey said. "How do you do, Mrs Wormwood." Mrs Wormwood glared at her and said, "What's the trouble then?" Nobody invited Miss Honey to sit down so she chose a chair and sat down anyway. "This", she said, "was your daughter's first day at school." "We know that," Mrs Wormwood said, ratty about missing her programme. "Is that all you came to tell us?" Miss Honey stared hard into the other woman's wet grey eyes, and she allowed the silence to hang in the air until Mrs Wormwood became uncomfortable. "Do you wish me to explain why I came?" she said. "Get on with it then," Mrs Wormwood said. "I'm sure you know", Miss Honey said, "that children in the bottom class at school are not expected to be able to read or spell or juggle with numbers when they first arrive. Five-year-olds cannot do that. But Matilda can do it all. And if I am to believe her . . ." "I wouldn't," Mrs Wormwood said. She was still ratty at losing the sound on the TV. "Was she lying, then," Miss Honey said, "when she told me that nobody taught her to multiply or to read? Did either of you teach her?" "Teach her what?" Mr Wormwood said. "To read. To read books," Miss Honey said. "Perhaps you did teach her. Perhaps she was lying. Perhaps you have shelves full of books all over the house. I wouldn't know. Perhaps you are both great readers." "Of course we read," Mr Wormwood said. "Don't be so daft. I read the Autocar and the Motor from cover to cover every week." "This child has already read an astonishing number of books," Miss Honey said. "I was simply trying to find out if she came from a family that loved good literature." "We don't hold with book-reading," Mr Wormwood said. "You can't make a living from sitting on your fanny and reading story-books. We don't keep them in the house." "I see," Miss Honey said. "Well, all I came to tell you was that Matilda has a brilliant mind. But I expect you knew that already." "Of course I knew she could read," the mother said. "She spends her life up in her room buried in some silly book." "But does it not intrigue you", Miss Honey said, "that a little five-year-old child is reading long adult novels by Dickens and Hemingway? Doesn't that make you jump up and down with excitement?" "Not particularly," the mother said. "I'm not in favour of blue-stocking girls. A girl should think about making herself look attractive so she can get a good husband later on. Looks is more important than books, Miss Hunky . . ." "The name is Honey," Miss Honey said. "Now look at me," Mrs Wormwood said. "Then look at you. You chose books. I chose looks." Miss Honey looked at the plain plump person with the smug suet-pudding face who was sitting across the room. "What did you say?" she asked. "I said you chose books and I chose looks," Mrs Wormwood said. "And who's finished up the better off? Me, of course. I'm sitting pretty in a nice house with a successful businessman and you're left slaving away teaching a lot of nasty little children the ABC." "Quite right, sugar-plum," Mr Wormwood said, casting a look of such simpering sloppiness at his wife it would have made a cat sick. Miss Honey decided that if she was going to get anywhere with these people she must not lose her temper. "I haven't told you all of it yet," she said. "Matilda, so far as I can gather at this early stage, is also a kind of mathematical genius. She can multiply complicated figures in her head like lightning." "What's the point of that when you can buy a calculator?" Mr Wormwood said. "A girl doesn't get a man by being brainy," Mrs Wormwood said. "Look at that film-star for instance," she added, pointing at the silent TV screen where a bosomy female was being embraced by a craggy actor in the moonlight. "You don't think she got him to do that by multiplying figures at him, do you? Not likely. And now he's going to marry her, you see if he doesn't, and she's going to live in a mansion with a butler and lots of maids." Miss Honey could hardly believe what she was hearing. She had heard that parents like this existed all over the place and that their children turned out to be delinquents and drop-outs, but it was still a shock to meet a pair of them in the flesh. "Matilda's trouble", she said, trying once again, "is that she is so far ahead of everyone else around her that it might be worth thinking about some extra kind of private tuition. I seriously believe that she could be brought up to university standard in two or three years with the proper coaching." "University?" Mr Wormwood shouted, bouncing up in his chair. "Who wants to go to university for heaven's sake! All they learn there is bad habits!" "That is not true," Miss Honey said. "If you had a heart attack this minute and had to call a doctor, that doctor would be a university graduate. If you got sued for selling someone a rotten second-hand car, you'd have to get a lawyer and he'd be a university graduate, too. Do not despise clever people, Mr Wormwood. But I can see we're not going to agree. I'm sorry I burst in on you like this." Miss Honey rose from her chair and walked out of the room. Mr Wormwood followed her to the front-door and said, "Good of you to come, Miss Hawkes, or is it Miss Harris?" "It's neither," Miss Honey said, "but let it go." And away she went. Throwing the Hammer The nice thing about Matilda was that if you had met her casually and talked to her you would have thought she was a perfectly normal five-and-a-half-year-old child. She displayed almost no outward signs of her brilliance and she never showed off. "This is a very sensible and quiet little girl," you would have said to yourself. And unless for some reason you had started a discussion with her about literature or mathematics, you would never have known the extent of her brain-power. It was therefore easy for Matilda to make friends with other children. All those in her class liked her. They knew of course that she was "clever" because they had heard her being questioned by Miss Honey on the first day of term. And they knew also that she was allowed to sit quietly with a book during lessons and not pay attention to the teacher. But children of their age do not search deeply for reasons. They are far too wrapped up in their own small struggles to worry overmuch about what others are doing and why. Among Matilda's new-found friends was the girl called Lavender. Right from the first day of term the two of them started wandering round together during the morning-break and in the lunch-hour. Lavender was exceptionally small for her age, a skinny little nymph with deep-brown eyes and with dark hair that was cut in a fringe across her forehead. Matilda liked her because she was gutsy and adventurous. She liked Matilda for exactly the same reasons. Before the first week of term was up, awesome tales about the Headmistress, Miss Trunchbull, began to filter through to the newcomers. Matilda and Lavender, standing in a corner of the playground during morning-break on the third day, were approached by a rugged ten-year-old with a boil on her nose, called Hortensia. "New scum, I suppose," Hortensia said to them, looking down from her great height. She was eating from an extra large bag of potato crisps and digging the stuff out in handfuls. "Welcome to borstal," she added, spraying bits of crisp out of her mouth like snow-flakes. The two tiny ones, confronted by this giant, kept a watchful silence. "Have you met the Trunchbull yet?" Hortensia asked. "We've seen her at prayers," Lavender said, "but we haven't met her." "You've got a treat coming to you," Hortensia said. "She hates very small children. She therefore loathes the bottom class and everyone in it. She thinks five-year-olds are grubs that haven't yet hatched out." In went another fistful of crisps and when she spoke again, out sprayed the crumbs. "If you survive your first year you may just manage to live through the rest of your time here. But many don't survive. They get carried out on stretchers screaming. I've seen it often." Hortensia paused to observe the effect these remarks were having on the two titchy ones. Not very much. They seemed pretty cool. So the large one decided to regale them with further information. "I suppose you know the Trunchbull has a lockup cupboard in her private quarters called The Chokey? Have you heard about The Chokey?" Matilda and Lavender shook their heads and continued to gaze up at the giant. Being very small, they were inclined to mistrust any creature that was larger than they were, especially senior girls. "The Chokey", Hortensia went on, "is a very tall but very narrow cupboard. The floor is only ten inches square so you can't sit down or squat in it. You have to stand. And three of the walls are made of cement with bits of broken glass sticking out all over, so you can't lean against them. You have to stand more or less at attention all the time when you get locked up in there. It's terrible." "Can't you lean against the door?" Matilda asked. "Don't be daft," Hortensia said. "The door's got thousands of sharp spikey nails sticking out of it. They've been hammered through from the outside, probably by the Trunchbull herself." "Have you ever been in there?" Lavender asked. "My first term I was in there six times," Hortensia said. "Twice for a whole day and the other times for two hours each. But two hours is quite bad enough. It's pitch dark and you have to stand up dead straight and if you wobble at all you get spiked either by the glass on the walls or the nails on the door. "Why were you put in?" Matilda asked. "What had you done?" "The first time", Hortensia said, "I poured half a tin of Golden Syrup on to the seat of the chair the Trunchbull was going to sit on at prayers. It was wonderful. When she lowered herself into the chair, there was a loud squelching noise similar to that made by a hippopotamus when lowering its foot into the mud on the banks of the Limpopo River. But you're too small and stupid to have read the Just So Stories, aren't you?" "I've read them," Matilda said. "You're a liar," Hortensia said amiably. "You can't even read yet. But no matter. So when the Trunchbull sat down on the Golden Syrup, the squelch was beautiful. And when she jumped up again, the chair sort of stuck to the seat of those awful green breeches she wears and came up with her for a few seconds until the thick syrup slowly came unstuck. Then she clasped her hands to the seat of her breeches and both hands got covered in the muck. You should have heard her bellow." "But how did she know it was you?" Lavender asked. "A little squirt called Ollie Bogwhistle sneaked on me," Hortensia said. "I knocked his front teeth out." "And the Trunchbull put you in The Chokey for a whole day?" Matilda asked, gulping. "All day long," Hortensia said. "I was off my rocker when she let me out. I was babbling like an idiot." "What were the other things you did to get put in The Chokey?" Lavender asked. "Oh I can't remember them all now," Hortensia said. She spoke with the air of an old warrior who has been in so many battles that bravery has become commonplace. "It's all so long ago," she added, stuffing more crisps into her mouth. "Ah yes, I can remember one. Here's what happened. I chose a time when I knew the Trunchbull was out of the way teaching the sixth-formers, and I put up my hand and asked to go to the bogs. But instead of going there, I sneaked into the Trunchbull's room. And after a speedy search I found the drawer where she kept all her gym knickers.'' "Go on," Matilda said, spellbound. "What happened next?" "I had sent away by post, you see, for this very powerful itching-powder," Hortensia said. "It cost 50p a packet and was called The Skin-Scorcher. The label said it was made from the powdered teeth of deadly snakes, and it was guaranteed to raise welts the size of walnuts on your skin. So I sprinkled this stuff inside every pair of knickers in the drawer and then folded them all up again carefully." Hortensia paused to cram more crisps into her mouth. "Did it work?" Lavender asked. "Well," Hortensia said, "a few days later, during prayers, the Trunchbull suddenly started scratching herself like mad down below. A-ha, I said to myself. Here we go. She's changed for gym already. It was pretty wonderful to be sitting there watching it all and knowing that I was the only person in the whole school who realised exactly what was going on inside the Trunchbull's pants. And I felt safe, too. I knew I couldn't be caught. Then the scratching got worse. She couldn't stop. She must have thought she had a wasp's nest down there. And then, right in the middle of the Lord's Prayer, she leapt up and grabbed her bottom and rushed out of the room." Both Matilda and Lavender were enthralled. It was quite clear to them that they were at this moment standing in the presence of a master. Here was somebody who had brought the art of skulduggery to the highest point of perfection, somebody, moreover, who was willing to risk life and limb in pursuit of her calling. They gazed in wonder at this goddess, and suddenly even the boil on her nose was no longer a blemish but a badge of courage. "But how did she catch you that time?" Lavender asked, breathless with wonder. "She didn't," Hortensia said. "But I got a day in The Chokey just the same." "Why?" they both asked. "The Trunchbull", Hortensia said, "has a nasty habit of guessing. When she doesn't know who the culprit is, she makes a guess at it, and the trouble is she's often right. I was the prime suspect this time because of the Golden Syrup job, and although I knew she didn't have any proof, nothing I said made any difference. I kept shouting, 'How could I have done it, Miss Trunchbull? I didn't even know you kept any spare knickers at school! I don't even know what itching-powder is! I've never heard of it!' But the lying didn't help me in spite of the great performance I put on. The Trunchbull simply grabbed me by one ear and rushed me to The Chokey at the double and threw me inside and locked the door. That was my second all-day stretch. It was absolute torture. I was spiked and cut all over when I came out." "It's like a war," Matilda said, overawed. "You're darn right it's like a war," Hortensia cried. "And the casualties are terrific. We are the crusaders, the gallant army fighting for our lives with hardly any weapons at all and the Trunchbull is the Prince of Darkness, the Foul Serpent, the Fiery Dragon with all the weapons at her command. It's a tough life. We all try to support each other." "You can rely on us," Lavender said, making her height of three feet two inches stretch as tall as possible. "No, I can't," Hortensia said. "You're only shrimps. But you never know. We may find a use for you one day in some undercover job." "Tell us just a little bit more about what she does," Matilda said. "Please do." "I mustn't frighten you before you've been here a week," Hortensia said. "You won't," Lavender said. "We may be small but we're quite tough." "Listen to this then," Hortensia said. "Only yesterday the Trunchbull caught a boy called Julius Rottwinkle eating Liquorice Allsorts during the scripture lesson and she simply picked him up by one arm and flung him clear out of the open classroom window. Our classroom is one floor up and we saw Julius Rottwinkle go sailing out over the garden like a Frisbee and landing with a thump in the middle of the lettuces. Then the Trunchbull turned to us and said, "From now on, anybody caught eating in class goes straight out the window." "Did this Julius Rottwinkle break any bones?" Lavender asked. "Only a few," Hortensia said. "You've got to remember that the Trunchbull once threw the hammer for Britain in the Olympics so she's very proud of her right arm." "What's throwing the hammer?" Lavender asked. "The hammer", Hortensia said, "is actually a ruddy great cannon-ball on the end of a long bit of wire, and the thrower whisks it round and round his or her head faster and faster and then lets it go. You have to be terrifically strong. The Trunchbull will throw anything around just to keep her arm in, especially children." "Good heavens," Lavender said. "I once heard her say", Hortensia went on, "that a large boy is about the same weight as an Olympic hammer and therefore he's very useful for practising with." At that point something strange happened. The playground, which up to then had been filled with shrieks and the shouting of children at play, all at once became silent as the grave. "Watch out," Hortensia whispered. Matilda and Lavender glanced round and saw the gigantic figure of Miss Trunchbull advancing through the crowd of boys and girls with menacing strides. The children drew back hastily to let her through and her progress across the asphalt was like that of Moses going through the Red Sea when the waters parted. A formidable figure she was too, in her belted smock and green breeches. Below the knees her calf muscles stood out like grapefruits inside her stockings. "Amanda Thripp!" she was shouting. "You, Amanda Thripp, come here!" "Hold your hats," Hortensia whispered. "What's going to happen?" Lavender whispered back. "That idiot Amanda", Hortensia said, "has let her long hair grow even longer during the hols and her mother has plaited it into pigtails. Silly thing to do." "Why silly?" Matilda asked. "If there's one thing the Trunchbull can't stand it's pigtails," Hortensia said. Matilda and Lavender saw the giant in green breeches advancing upon a girl of about ten who had a pair of plaited golden pigtails hanging over her shoulders. Each pigtail had a blue satin bow at the end of it and it all looked very pretty. The girl wearing the pigtails, Amanda Thripp, stood quite still, watching the advancing giant, and the expression on her face was one that you might find on the face of a person who is trapped in a small field with an enraged bull which is charging flat-out towards her. The girl was glued to the spot, terror-struck, pop-eyed, quivering, knowing for certain that the Day of Judgment had come for her at last. Miss Trunchbull had now reached the victim and stood towering over her. "I want those filthy pigtails off before you come back to school tomorrow!" she barked. "Chop 'em off and throw 'em in the dustbin, you understand?" Amanda, paralysed with fright, managed to stutter, "My m-m-mummy likes them. She p-p-plaits them for me every morning." "Your mummy's a twit!" the Trunchbull bellowed. She pointed a finger the size of a salami at the child's head and shouted, "You look like a rat with a tail coming out of its head!" "My m-m-mummy thinks I look lovely, Miss T-T-Trunchbull," Amanda stuttered, shaking like a blancmange. "I don't give a tinker's toot what your mummy thinks!" the Trunchbull yelled, and with that she lunged forward and grabbed hold of Amanda's pigtails in her right fist and lifted the girl clear off the ground. Then she started swinging her round and round her head, faster and faster and Amanda was screaming blue murder and the Trunchbull was yelling, "I'll give you pigtails, you little rat!" "Shades of the Olympics," Hortensia murmured. "She's getting up speed now just like she does with the hammer. Ten to one she's going to throw her." And now the Trunchbull was leaning back against the weight of the whirling girl and pivoting expertly on her toes, spinning round and round, and soon Amanda Thripp was travelling so fast she became a blur, and suddenly, with a mighty grunt, the Trunchbull let go of the pigtails and Amanda went sailing like a rocket right over the wire fence of the playground and high up into the sky. "Well thrown, sir!" someone shouted from across the playground,and Matilda, who was mesmerised by the whole crazy affair, saw Amanda Thripp descending in a long graceful parabola on to the playing-field beyond. She landed on the grass and bounced three times and finally came to rest. Then, amazingly, she sat up. She looked a trifle dazed and who could blame her, but after a minute or so she was on her feet again and tottering back towards the playground. The Trunchbull stood in the playground dusting off her hands. "Not bad," she said, "considering I'm not in strict training. Not bad at all." Then she strode away. "She's mad," Hortensia said. "But don't the parents complain?" Matilda asked. "Would yours?" Hortensia asked. "I know mine wouldn't. She treats the mothers and fathers just the same as the children and they're all scared to death of her. I'll be seeing you some time, you two." And with that she sauntered away. Bruce Bogtrotter and the Cake "How can she get away with it?" Lavender said to Matilda. "Surely the children go home and tell their mothers and fathers. I know my father would raise a terrific stink if I told him the Headmistress had grabbed me by the hair and slung me over the playground fence." "No, he wouldn't," Matilda said, "and I'll tell you why. He simply wouldn't believe you." "Of course he would." "He wouldn't," Matilda said. "And the reason is obvious. Your story would sound too ridiculous to be believed. And that is the Trunchbull's great secret." "What is?" Lavender asked. Matilda said, "Never do anything by halves if you want to get away with it. Be outrageous. Go the whole hog. Make sure everything you do is so completely crazy it's unbelievable. No parent is going to believe this pigtail story, not in a million years. Mine wouldn't. They'd call me a liar." "In that case", Lavender said, "Amanda's mother isn't going to cut her pigtails off." "No, she isn't," Matilda said. "Amanda will do it herself. You see if she doesn't." "Do you think she's mad?" Lavender asked. "Who?" "The Trunchbull." "No, I don't think she's mad," Matilda said. "But she's very dangerous. Being in this school is like being in a cage with a cobra. You have to be very fast on your feet." They got another example of how dangerous the Headmistress could be on the very next day. During lunch an announcement was made that the whole school should go into the Assembly Hall and be seated as soon as the meal was over. When all the two hundred and fifty or so boys and girls were settled down in Assembly, the Trunchbull marched on to the platform. None of the other teachers came in with her. She was carrying a riding-crop in her right hand. She stood up there on centre stage in her green breeches with legs apart and riding-crop in hand, glaring at the sea of upturned faces before her. "What's going to happen?" Lavender whispered. "I don't know," Matilda whispered back. The whole school waited for what was coming next. "Bruce Bogtrotter!" the Trunchbull barked suddenly. "Where is Bruce Bogtrotter?" A hand shot up among the seated children. "Come up here!" the Trunchbull shouted. "And look smart about it!" An eleven-year-old boy who was decidedly large and round stood up and waddled briskly forward. He climbed up on to the platform. "Stand over there!" the Trunchbull ordered, pointing. The boy stood to one side. He looked nervous. He knew very well he wasn't up there to be presented with a prize. He was watching the Headmistress with an exceedingly wary eye and he kept edging farther and farther away from her with little shuffles of his feet, rather as a rat might edge away from a terrier that is watching it from across the room. His plump flabby face had turned grey with fearful apprehension. His stockings hung about his ankles. "This clot," boomed the Headmistress, pointing the riding-crop at him like a rapier, "this blackhead, this foul carbuncle, this poisonous pustule that you see before you is none other than a disgusting criminal, a denizen of the underworld, a member of the Mafia!" "Who, me?" Bruce Bogtrotter said, looking genuinely puzzled. "A thief!" the Trunchbull screamed. "A crook! A pirate! A brigand! A rustler!" "Steady on," the boy said. "I mean, dash it all, Headmistress." "Do you deny it, you miserable little gumboil? Do you plead not guilty?" "I don't know what you're talking about," the boy said, more puzzled than ever. "I'll tell you what I'm talking about, you suppurating little blister!" the Trunchbull shouted. "Yesterday morning, during break, you sneaked like a serpent into the kitchen and stole a slice of my private chocolate cake from my tea-tray! That tray had just been prepared for me personally by the cook! It was my morning snack! And as for the cake, it was my own private stock! That was not boy's cake! You don't think for one minute I'm going to eat the filth I give to you? That cake was made from real butter and real cream! And he, that robber-bandit, that safe-cracker, that highwayman standing over there with his socks around his ankles stole it and ate it!" "I never did," the boy exclaimed, turning from grey to white. "Don't lie to me, Bogtrotter!" barked the Trunchbull. "The cook saw you! What's more, she saw you eating it!" The Trunchbull paused to wipe a fleck of froth from her lips. When she spoke again her voice was suddenly softer, quieter, more friendly, and she leaned towards the boy, smiling. "You like my special chocolate cake, don't you, Bogtrotter? It's rich and delicious, isn't it, Bogtrotter?" "Very good," the boy mumbled. The words were out before he could stop himself. "You're right," the Trunchbull said. "It is very good. Therefore I think you should congratulate the cook. When a gentleman has had a particularly good meal, Bogtrotter, he always sends his compliments to the chef. You didn't know that, did you, Bogtrotter? But those who inhabit the criminal underworld are not noted for their good manners." The boy remained silent. "Cook!" the Trunchbull shouted, turning her head towards the door. "Come here, cook! Bogtrotter wishes to tell you how good your chocolate cake is!" The cook, a tall shrivelled female who looked as though all of her body-juices had been dried out of her long ago in a hot oven, walked on to the platform wearing a dirty white apron. Her entrance had clearly been arranged beforehand by the Headmistress. "Now then, Bogtrotter," the Trunchbull boomed. "Tell cook what you think of her chocolate cake." "Very good," the boy mumbled. You could see he was now beginning to wonder what all this was leading up to. The only thing he knew for certain was that the law forbade the Trunchbull to hit him with the riding-crop that she kept smacking against her thigh. That was some comfort, but not much because the Trunchbull was totally unpredictable. One never knew what she was going to do next. "There you are, cook," the Trunchbull cried. "Bogtrotter likes your cake. He adores your cake. Do you have any more of your cake you could give him?" "I do indeed," the cook said. She seemed to have learnt her lines by heart. "Then go and get it. And bring a knife to cut it with." The cook disappeared. Almost at once she was back again staggering under the weight of an enormous round chocolate cake on a china platter. The cake was fully eighteen inches in diameter and it was covered with dark-brown chocolate icing. "Put it on the table," the Trunchbull said. There was a small table centre stage with a chair behind it. The cook placed the cake carefully on the table. "Sit down, Bogtrotter," the Trunchbull said. "Sit there." The boy moved cautiously to the table and sat down. He stared at the gigantic cake. "There you are, Bogtrotter," the Trunchbull said, and once again her voice became soft, persuasive, even gentle. "It's all for you, every bit of it. As you enjoyed that slice you had yesterday so very much, I ordered cook to bake you an extra large one all for yourself." "Well, thank you," the boy said, totally bemused. "Thank cook, not me," the Trunchbull said. "Thank you, cook," the boy said. The cook stood there like a shrivelled bootlace, tight-lipped, implacable, disapproving. She looked as though her mouth was full of lemon juice. "Come on then," the Trunchbull said. "Why don't you cut yourself a nice thick slice and try it?" "What? Now?" the boy said, cautious. He knew there was a catch in this somewhere, but he wasn't sure where. "Can't I take it home instead?" he asked. "That would be impolite," the Trunchbull said, with a crafty grin. "You must show cookie here how grateful you are for all the trouble she's taken." The boy didn't move. "Go on, get on with it," the Trunchbull said. "Cut a slice and taste it. We haven't got all day." The boy picked up the knife and was about to cut into the cake when he stopped. He stared at the cake. Then he looked up at the Trunchbull, then at the tall stringy cook with her lemon-juice mouth. All the children in the hall were watching tensely, waiting for something to happen. They felt certain it must. The Trunchbull was not a person who would give someone a whole chocolate cake to eat just out of kindness. Many were guessing that it had been filled with pepper or castor-oil or some other foul-tasting substance that would make the boy violently sick. It might even be arsenic and he would be dead in ten seconds flat. Or perhaps it was a booby-trapped cake and the whole thing would blow up the moment it was cut, taking Bruce Bogtrotter with it. No one in the school put it past the Trunchbull to do any of these things. "I don't want to eat it," the boy said. 'Taste it, you little brat," the Trunchbull said. "You're insulting the cook." Very gingerly the boy began to cut a thin slice of the vast cake. Then he levered the slice out. Then he put down the knife and took the sticky thing in his fingers and started very slowly to eat it. "It's good, isn't it?" the Trunchbull asked. "Very good," the boy said, chewing and swallowing. He finished the slice. "Have another," the Trunchbull said. "That's enough, thank you," the boy murmured. "I said have another," the Trunchbull said, and now there was an altogether sharper edge to her voice. "Eat another slice! Do as you are told!" "I don't want another slice," the boy said. Suddenly the Trunchbull exploded. "Eat!" she shouted, banging her thigh with the riding-crop. "If I tell you to eat, you will eat! You wanted cake! You stole cake! And now you've got cake! What's more, you're going to eat it! You do not leave this platform and nobody leaves this hall until you have eaten the entire cake that is sitting there in front of you! Do I make myself clear, Bogtrotter? Do you get my meaning?" The boy looked at the Trunchbull. Then he looked down at the enormous cake. "Eat! Eat! Eat!" the Trunchbull was yelling. Very slowly the boy cut himself another slice and began to eat it. Matilda was fascinated. "Do you think he can do it?" she whispered to Lavender. "No," Lavender whispered back. "It's impossible. He'd be sick before he was halfway through." The boy kept going. When he had finished the second slice, he looked at the Trunchbull, hesitating. "Eat!" she shouted. "Greedy little thieves who like to eat cake must have cake! Eat faster boy! Eat faster! We don't want to be here all day! And don't stop like you're doing now! Next time you stop before it's all finished you'll go straight into The Chokey and I shall lock the door and throw the key down the well!" The boy cut a third slice and started to eat it. He finished this one quicker than the other two and when that was done he immediately picked up the knife and cut the next slice. In some peculiar way he seemed to be getting into his stride. Matilda, watching closely, saw no signs of distress in the boy yet. If anything, he seemed to be gathering confidence as he went along. "He's doing well," she whispered to Lavender. "He'll be sick soon," Lavender whispered back. "It's going to be horrid." When Bruce Bogtrotter had eaten his way through half of the entire enormous cake, he paused for just a couple of seconds and took several deep breaths. The Trunchbull stood with hands on hips, glaring at him. "Get on with it!" she shouted. "Eat it up!" Suddenly the boy let out a gigantic belch which rolled around the Assembly Hall like thunder. Many of the audience began to giggle. "Silence!" shouted the Trunchbull. The boy cut himself another thick slice and started eating it fast. There were still no signs of flagging or giving up. He certainly did not look as though he was about to stop and cry out, "I can't, I can't eat any more! I'm going to be sick!" He was still in there running. And now a subtle change was coming over the two hundred and fifty watching children in the audience. Earlier on, they had sensed impending disaster. They had prepared themselves for an unpleasant scene in which the wretched boy, stuffed to the gills with chocolate cake, would have to surrender and beg for mercy and then they would have watched the triumphant Trunchbull forcing more and still more cake into the mouth of the gasping boy. Not a bit of it. Bruce Bogtrotter was three-quarters of the way through and still going strong. One sensed that he was almost beginning to enjoy himself. He had a mountain to climb and he was jolly well going to reach the top or die in the attempt. What is more, he had now become very conscious of his audience and of how they were all silently rooting for him. This was nothing less than a battle between him and the mighty Trunchbull. Suddenly someone shouted, "Come on Brucie! You can make it!" The Trunchbull wheeled round and yelled, "Silence!" The audience watched intently. They were thoroughly caught up in the contest. They were longing to start cheering but they didn't dare. "I think he's going to make it," Matilda whispered. "I think so too," Lavender whispered back. "I wouldn't have believed anyone in the world could eat the whole of a cake that size." "The Trunchbull doesn't believe it either," Matilda whispered. "Look at her. She's turning redder and redder. She's going to kill him if he wins." The boy was slowing down now. There was no doubt about that. But he kept pushing the stuff into his mouth with the dogged perseverance of a long-distance runner who has sighted the finishing-line and knows he must keep going. As the very last mouthful disappeared, a tremendous cheer rose up from the audience and children were leaping on to their chairs and yelling and clapping and shouting, "Well done Brucie! Good for you, Brucie! You've won a gold medal, Brucie!" The Trunchbull stood motionless on the platform. Her great horsy face had turned the colour of molten lava and her eyes were glittering with fury. She glared at Bruce Bogtrotter who was sitting on his chair like some huge overstuffed grub, replete, comatose, unable to move or to speak. A fine sweat was beading his forehead but there was a grin of triumph on his face. Suddenly the Trunchbull lunged forward and grabbed the large empty china platter on which the cake had rested. She raised it high in the air and brought it down with a crash right on the top of the wretched Bruce Bogtrotter's head and pieces flew all over the platform. The boy was by now so full of cake he was like a sackful of wet cement and you couldn't have hurt him with a sledge-hammer. He simply shook his head a few times and went on grinning. "Go to blazes!" screamed the Trunchbull and she marched off the platform followed closely by the cook.

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(Чтобы переводить слова на русский язык и добавлять в словарь для изучения, щелкаем мышкой на нужное слово)
Почему не выделяются слова для перевода ?Не могу понять причину. Подскажите , что сделать 
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в некоторых аудиокнигах данная функция не работает( задание на исправление стоит в планах, что бы на всех аудиокнигах работало.
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Добрый день!
Почему нельзя скачать аудиокнигу?
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stasy916916, вот тут можно скачать книгу и аудиокнигу https://t.me/audio_englishbooks/400

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Огромное спасибо!
А можно ли скачивать фильмы на данном ресурсе или только смотреть онлайн?

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Да. Фильмы можно скачать с платного плеера.
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