[ funk song playing ]
♪ And I want you to take your time and look it over ♪
♪ 'Cause what you see may not be ♪
♪ What you're gonna get ♪
♪ Then she said... ♪
- Man: SATURDAY! - SATURDAY!
SATURDAY!
[ all cheering ]
♪ Before you ask some girl for her hand now ♪
♪ Keep your freedom as long as you can... ♪
ALAN, CAN I HAVE ANOTHER-- ANOTHER?
♪ You'd better shop around ♪
♪ Shop around ♪
♪ There's something that I want you to know ♪
♪ Just as sure as the wind's gonna blow...♪
COME ON, JOHNNY.
♪ Women come and women go ♪
♪ Before you tell 'em that you love 'em so ♪
♪ My mama told me... ♪
- [ disco song playing ] - WHOO-HOO!
GANG WAY. HEY, WATCH OUT, BUDDY.
LET GO OF MY ASS. [ laughs ]
PHILLIP GORDON, THAT'S FOR YOU FROM ME.
IT'S MY TREAT ALL THE WAY. JULIA.
- OH, MY BEAUTY. LOVER-- - GEORGIE. GEORGIE.
GEORGE, INTRODUCE ME.
OH, JULIA, PHILLIP.
- WHO'S THIS GENTLEMAN? - MY NAME'S PHILLIP.
HE'S MY NEW BOSS-- THIS GUY.
- YOUR BOSS? GEORGE'S BOSS. - MY NEW BOSS.
- THAT'S WHY I'M BUYING HIM A DRINK. - COMMISERATIONS.
ARE YOU MARRIED?
UH, A LITTLE BIT.
- A LITTLE BIT. - A LITTLE BIT MARRIED.
YOU KNOW WHAT, SWEETHEART? I'M GONNA GIVE YOUR WIFE A LITTLE PRESENT HERE.
DON'T SMUDGE IT. JUST LEAVE IT RIGHT LIKE THAT
FOR HER TO FIND IN THE MORNING.
JULIA, WHAT DO YOU DO OUTSIDE OF--?
- PHILLIP, I DO EVERYTHING. I DO A BIT OF EVERYTHING. - SHE DOES EVERYTHING.
[ sputtering ]
- GET OFF. - [ laughing ]
I LIKE TO MAKE PEOPLE'S DREAMS COME TRUE, PHILLIP.
- YOU KNOW, I LIKE TO-- - DREAMS COME TRUE?
- WELL, I KIND OF LIKE TO SELL THINGS TO PEOPLE-- - [ George humming ]
YOU KNOW, THINGS THEY REALLY WANT.
EVEN THINGS THEY DIDN'T KNOW THEY WANTED. YOU KNOW WHAT I'M SAYING?
I WAS IN REAL ESTATE JUST RECENTLY.
COINCIDENCE, THAT'S WHAT I'M IN.
- REALLY? - YEAH, THAT'S MY BOSS.
- THAT'S YOUR BUSINESS? - IT IS, ACTUALLY, YEAH.
[ pop song playing ]
♪ Sweet dreams are made of this ♪
♪ Who am I to disagree? ♪
♪ I've traveled the world and the seven seas ♪
♪ Everybody's looking for something ♪
♪ Oohh-hh ♪
♪ Hold your head up ♪
♪ Keep your head up, moving on ♪
♪ Hold your head up, moving on ♪
♪ Keep your head up, moving on ♪
♪ Hold your head up, moving on... ♪
[ laughing loudly ]
OH MY GOD.
Phillip: NOW I KNOW YOU'RE GOOD. SHE'S THE ONE.
I MISSED HER. I DON'T KNOW WHAT HAPPENED TO HER.
WHERE'D SHE GO? HOW ARE YOU DOING?
♪ Some of them want to use you... ♪
[ all cheering ]
♪ Some of them want to get used by you ♪
♪ Some of them want to abuse you ♪
♪ Some of them want to be abused... ♪
[ birds chirping ]
THIS IS MY CAR.
WHAT?
I HAVE TO GO.
DON'T TOUCH ME.
WHERE'S MY PURSE?
[ car door closes ]
[ engine starts ]
[ car drives off ]
JUST TELL HIM. JUST TELL HIM.
I HAD SOME, UM, FAMILY PROBLEMS.
FAMILY PROBLEMS? YOU'VE GOT FAMILY PROBLEMS?
I'VE GOT FAMILY PROBLEMS TOO.
I'VE GOT LOTS OF PROBLEMS.
BUT YOU KNOW WHAT? I STILL COME TO WORK
EVERY DAY ON TIME.
OKAY, LOOK, FRANK,
I'M GONNA PULL MYSELF TOGETHER, RIGHT?
I MEAN, WHAT ARE WE TALKING ABOUT HERE?
I GOT DRUNK ONCE--
ONE OR TWO DRINKS AT LUNCH.
BUT SINCE I'VE BEEN HERE I HAVE BEEN REALLY GOOD.
I HAVE BEEN ON TIME-- ALL MY MEETINGS-- EVERYTHING.
- ASK MITCH. - UM, YEAH.
THAT'S NOT WHAT DOREEN TOLD ME.
DOREEN? OH. [ muttering ] I HATE DOREEN.
AND THE WAY YOU TALK TO HER-- YOU KNOW WHAT?
I'M SORRY, BUT THIS IS GOING TO END RIGHT HERE.
FRANK.
I REALLY WISH THIS HAD TURNED OUT BETTER, BUT I'M SORRY, MITCH.
NO, YOU DON'T HAVE TO BE SORRY. I'M THE ONE WHO IS--
I'M SORRY. JULIA'S SORRY TOO. RIGHT, JULIA?
- JULIA? - THIS DOREEN,
SHE'S FUCKING SAVING
HER OWN FUCKING LAZY FAT ASS,
FAT-FUCKING-ASS BITCH.
FUCKING FAT-ASS FUCKING BITCH.
JULIA, JULIA. JULIA.
JULIA, CAN I HAVE A MOMENT ALONE WITH MITCH, PLEASE?
JUST GIVE ME A SECOND OUTSIDE. WAIT FOR ME OUTSIDE,
PLEASE.
- I'M SORRY. - IT'S OKAY. IT'S FINE.
[ door opens and slams ]
DID YOU TAKE CARE OF YOUR RENT CHECK?
- YEAH. - REALLY?
BECAUSE I SPOKE TO YOUR LANDLORD
AND HE DIDN'T GET A THING.
I PUT IT IN AN ENVELOPE. MAYBE I FORGOT TO MAIL IT.
OH, FUCK.
IS THIS ABOUT YOUR MONEY, MITCH? BECAUSE I'M GONNA PAY YOU BACK EVERY PENNY.
HOW? YOU JUST GOT FIRED.
JULIA, I'M WARNING YOU-- IF YOU DO NOT STICK TO OUR ARRANGEMENT...
- WHAT? - ...AND GO TO THE MEETINGS...
- WHAT HAPPENS? - LOSE MY NUMBER.
Woman: I GAVE BIRTH.
I WAS DRUNK OUT OF MY HEAD.
I DIDN'T KNOW WHERE I WAS
OR WITH WHOM.
I KNOW I WASN'T IN A HOSPITAL
OR A POLICE STATION
OR EVEN A BEDROOM.
I JUST-- WHOMP-- EMPTIED OUT MY GUTS,
GOT RID OF HER.
I DIDN'T TAKE CARE OF HER
TO SUCH AN EXTENT
THAT WHEN I SAW HER START DRINKING,
I WATCHED HER PICK UP THE BOTTLE
AND I DIDN'T DO A THING.
I SAW IT AS INEVITABLE.
I GAVE HER HER FIRST DRINK.
I THINK I--
NO,
IKNOW
I WANTED HER TO SUFFER
AS MUCH AS I HAD,
AND EVEN MORE.
HI. WE HAVE A NEW SCHEDULE.
THERE'S GONNA BE SOME CONSTRUCTION WORK
AND WE'RE GONNA DO SOME CHANGES.
CAN I OFFER YOU SOME COFFEE?
NO.
- HI, ELENA. - HI, HENRY.
IT'S THE NEW SCHEDULE. THERE'S GONNA BE SOME CHANGES
BECAUSE OF THE CONSTRUCTION AROUND HERE.
GREAT. I LOVE THE COLOR.
CAN I OFFER YOU SOME COFFEE?
I DON'T DRINK COFFEE.
CANDY, ELENA?
[ laughs ]
OKAY. NO, THIS ONE. THANK YOU.
THANKS.
HI.
YOU KNOW, THE PEOPLE HERE--
THEY'RE REALLY NICE TO EACH OTHER.
YOU CAN FEEL SAFE HERE.
AND WE CAN HELP YOU.
I KNOW YOU.
YOU LIVE RIGHT ACROSS FROM ME. WE'RE NEIGHBORS.
WELL, I'M NOT REALLY DOWN WITH THE GOOD-NEIGHBOR SHIT.
OH.
I LIVE ALONE ALSO.
WELL, NOT REALLY ALONE.
I HAVE A BOY--
TOM.
HE'S EIGHT YEARS OLD.
NOW HE'S
LIVING WITH HIS GRANDFATHER.
HOW DO YOU KNOW I LIVE ALONE?
OH, BECAUSE I SEE YOU IN THE KITCHEN--
YOUR KITCHEN, YEAH, THROUGH THE WINDOW.
- OH. - THAT'S RIGHT.
- Group: LORD GRANT ME THE SERENITY... - BYE.
...TO ACCEPT THE THINGS I CAN'T CHANGE,
THE COURAGE TO CHANGE THE THINGS I CAN,
AND THE WISDOM TO KNOW THE DIFFERENCE.
KEEP COMING BACK. IT WORKS IF YOU WORK IT.
YES!
[ Russian accent ] ALL RIGHT, 4008 VINCENT.
- Man: JULIA, COME ON, GO. - OH, WE ARE! WE'RE HERE.
LET'S GO. I GOT AN EARLY DAY TOMORROW, SWEETIE. COME ON.
NO NO, HONEY, YOU'RE NOT GONNA DISAPPOINT ME AGAIN.
- JULIE, NO. - YOU'RE GONNA COME UP
RIGHT, FOR A LITTLE NIGHTCAP?
YOU KNOW WHAT? FUCK OFF, ALL RIGHT?
YOU DON'T KNOW HOW TO END THINGS, ALL RIGHT? SO GO.
GO FUCKING LOOK IN THE MIRROR,
ALL RIGHT? FOR GOD'S SAKES.
I'M GOING NOW.
HURRY UP.
OH! OH!
YOU'RE NOT GOING TO GO HELP THE LADY?
NO, YOU GO HELP HER.
[ groans ]
[ dishes clanking ]
WHERE THE FUCK IS IT?
Elena: YOU ARE IN MY APARTMENT.
I GOT COFFEE.
WHY THE-- WHY AM I HERE?
I FOUND YOU IN YOUR CAR.
DON'T YOU REMEMBER?
[ sighs ]
OW. I NEED WATER.
UH-HUH, YEAH,
YOU'VE GOT QUITE THE BIRD'S-EYE VIEW
OF MY FAIRY PALACE FROM HERE, DON'T YOU, HUH?
THIS HAPPENS TO ME SOMETIMES.
THAT'S WHY IT'S GOOD FOR YOU TO GO TO THE MEETINGS.
YEAH.
THE MEETINGS.
THOSE PRAYERS
AND WOMEN LAMENTING AND--
IT KIND OF CREEPS ME OUT.
I FIND IT OBSCENE.
SOMEBODY FORCES ME TO GO TO THOSE MEETINGS, YOU KNOW.
IT'S NOT MY DECISION.
MY BOY--
THAT MAN--
HE FORBIDS ME SEEING HIM.
BUT IT'S NOT MY DECISION EITHER.
HE TELLS THE BOY TERRIBLE THINGS.
HE TELLS HIM I'M EVIL
AND THAT I'M SICK HERE.
HE LIVES LIKE A PRISONER IN THIS MAN'S HOUSE
WITH DOGS AND BODYGUARDS.
IT'S BEEN FIVE YEARS NOW.
BUT I'M GONNA SEE TOM AGAIN SOON.
YEAH. THERE'S A MAN
WHO'S IN CHARGE WHO WATCHES HIM.
AND-AND IF I GIVE HIM MONEY,
HE WILL LET ME SEE TOM.
I'M GONNA KIDNAP TOM.
WHAT?
I'M JUST GIVING A CHILD HIS MOTHER BACK.
HE DESERVES TO KNOW WHERE HALF HIS HEART COMES FROM, RIGHT?
AND-AND, I MEAN, THAT WAY WE CAN GET AWAY
FROM HIS FILTH.
- REALLY? - I NEED YOUR HELP. [ sobs ]
PLEASE, I'M BEGGING YOU. I NEED YOUR HELP.
I CAN'T DO THIS ALONE.
I'LL PAY YOU. I'LL PAY YOU.
TO-TO KIDNAP YOUR KID?
- YES. - YOU'RE FUCKING NUTS.
IF HE CALLS AND SAYS YES,
HE'S GONNA TAKE TOM TO A RIVER WHERE THEY GO AND BATHE.
I KNOW THIS PLACE. NOBODY GOES THERE.
AND, YOU KNOW, ALL YOU HAVE TO DO IS STAY IN YOUR CAR
A-AND-AND WAIT THERE.
MY CAR STAYS RIGHT WHERE IT IS, LADY.
THERE ARE LICENSE PLATES ON CARS.
YOU'RE RIGHT. AND I CAN RENT ONE IN MY NAME.
AND FOR DOING THIS
I WILL GIVE YOU $50,000.
$50,000? THAT'S A LOT OF MONEY.
I KNOW, YEAH, BUT I HAVE ALL THIS MONEY.
- I HAVE IT IN MEXICO. - IN MEXICO.
AND I ALSO HAVE STOCKS FROM MY HUSBAND.
I HAVE A LOT OF MONEY AND I DON'T WANT ANY OF THAT.
I JUST NEED TOM. I JUST WANT TOM.
NO, DON'T GO. PLEASE, DON'T GO.
- JUST WAIT. - OKAY OKAY OKAY.
I NEED TO SHOW YOU WHAT I'M SAVING HIM FROM.
- OKAY. - DON'T LEAVE.
[ mutters ] WHAT THE FUCK?
YOU KNOW, MY CHILD--
HE CAN NEVER BE HAPPY WITH THIS MAN.
HE IS GOING TO DESTROY
MY KID.
I GOTTA GO.
I DON'T KNOW THE FIRST THING ABOUT KIDS.
GREAT STORY.
[ door opens and closes ]
OH, FUCK.
[ person washing dishes ]
HELLO.
Man: HEY, HONEY HONEY, WE'RE CLOSED.
HEY, YOU'RE-- I'M HERE. YOU'RE OPEN.
WE'VE BEEN CLOSED FOR ABOUT HALF AN HOUR NOW.
COULD I JUST GET A VODKA TONIC?
CAN I JUST GET--?
I'M WAITING FOR SOMETHING.
- YEAH? - YEAH, SURE.
VODKA TONIC?
PLEASE.
NICE PLACE YOU'VE GOT HERE.
WELL...
YOU DON'T MIND IF I SMOKE, DO YOU?
NO.
YOU DON'T WANT ME SMOKING IN THE STREET OUTSIDE--
- NOT A GOOD LOOK. - HONEY, YOU JUST SIT HERE AND SMOKE.
YOU'RE A KIND MAN.
MM-HMM.
YOU'RE A KIND MAN.
GOING SOMEWHERE?
- MITCH! - SEEN MY PANTS?
'CAUSE I CAN'T FIND THEM ANYWHERE. I'LL MAKE SOME COFFEE.
YOU KNOW, WHAT YOU DID DO WAS YOU COLLAPSED.
YEAH YEAH. I PICKED YOU UP.
I HAD TO CARRY YOU TO MY CAR.
I PUT YOU INSIDE. I OPENED A WINDOW.
YOU KNOW WHAT YOU SAID? "FUCK YOU."
NO, WHAT YOU SAID--
OH, GOD, YOU SAID--
YOU WENT LIKE THIS AND THEN YOU SAID,
"THE WIND CARESSES MY FACE
- LIKE NO MAN EVER WILL." - [ groans ]
- FUCKING POET. - GOD, YOU WERE SO BEAUTIFUL.
I KISSED YOU.
WELL, YOU KNOW I HAVE
THIS UNBELIEVABLE POWER OVER MEN.
YEAH.
YOU DID A BAD THING.
HOW WOULD YOU KNOW ANYTHING HAPPENED BETWEEN US?
AND WHY WOULD YOU EVEN GIVE A SHIT? AREN'T YOU THE ONE
WHO LIKES TO WAKE UP IN THE MORNING NOT REMEMBERING WHAT HAPPENED?
I AM FINDING THIS WHOLE EXPERIENCE VERY REVEALING.
THE REAL MITCH-- NO SAINT AFTER ALL, HONEY.
I MEAN, THESE PHOTOGRAPHS OF THE LITTLE FAMILY--
THE LOVELY WIFE AND THE ADORABLE CHILDREN EVERYWHERE.
I DIDN'T SLEEP WITH YOU. YOU SLEPT WITH ME.
YOU WERE HERE ALONE.
BULLSHIT.
YOU WERE ASLEEP THERE IN A COMA ON THE COUCH. I'M IN THERE ASLEEP.
I WOKE UP IN YOUR BED WITH MY DRESS HALF OFF.
I WAKE UP, YOU'RE SUDDENLY CRYING YOUR LITTLE EYES OUT.
- I WAS CRYING? - YEAH, LIKE A LITTLE BABY.
I HAD TO PUT MY ARMS AROUND YOU-- A BIG GIRAFFE LIKE YOU.
"I DON'T WANT TO SLEEP ALONE."
- OH, REALLY? - YEAH YEAH.
AND YOU KNOW WHAT, JULIA? ANY GUY WOULD DO.
YOU STINK OF LONELINESS, BUSTER.
YOU'RE NOT MY TYPE.
DO YOU THINK YOU COULD SHUT UP FOR A MINUTE? IS THAT POSSIBLE?
'CAUSE I'D LIKE TO TELL YOU SOMETHING HERE. IF YOU'RE NOT CAREFUL,
YOU COULD LOSE IT ALL IN ONE NIGHT-- IN ONEBAD NIGHT.
I'LL TELL YOU ABOUT THE OLD MITCH, OKAY?
- OH, COME ON. - IF YOU SHUT UP.
THE OLD MITCH, WHO WAS A REAL FUCKING DRINKER,
COULD DRINK YOU UNDER THE TABLE
ANY FUCKING DAY OF THE WEEK, BELIEVE ME.
A DISASTER FOR MY FAMILY, BUT I DIDN'T GIVE A FUCK.
AND ONE BAD NIGHT
ONE OF MY KIDS GETS IN THE WAY.
AND I JUST--
I JUST WANTED TO PUSH HER,
BUT THAT'S NOT WHAT I DID.
WHAT I DID IS I HIT HER.
ALL THIS RAGE CAME OUT OF ME.
I WANTED TO DO SOME REAL FUCKING DAMAGE.
MY FIST CAME DOWN ON HER. SHE JUST WENT--
WHAT IS SHE, EIGHT YEARS OLD? SKINNY LITTLE ARMS--
SHE WENT FLYING AGAINST THAT WALL. SHE DROPPED RIGHT THERE,
NOT BREATHING. MY WIFE GOES RUNNING OVER TO HER,
PICKS HER UP, TAKES HER TO THE HOSPITAL.
SAVED HER LIFE-- MY LITTLE LUCY.
YOU KNOW WHAT I DID?
[ chuckles ]
I WENT IN THERE
AND I WENT TO SLEEP.
[ snaps finger ] PASSED OUT.
JUST ANOTHER NIGHT.
13 YEARS--
HAVEN'T SEEN THEM SINCE.
JULIA, DO NOT WASTE A SECOND
THINKING THAT YOU'VE GOT THESE MAGICAL INCREDIBLE POWERS,
BECAUSE WHAT YOU ARE IS AN OUT-OF-CONTROL
SUICIDAL BLIND ALCOHOLIC.
BUT I'M HERE.
I'M HERE TO HELP YOU.
ARE YOU IN LOVE WITH ME, MITCH?
[ chuckles ]
- IS THIS WHAT THIS IS? - OH, GOD.
YOU KNOW, IT'S NOT A GOOD IDEA.
I'M A DISASTER TO BE IN LOVE WITH.
YOU KNOW THAT.
YOU KNOW, I JUST FUCK YOU UP
AND THEN YOU HATE ME
AND THEN--
AND THEN I LOSE MY FRIEND.
SO THE RING THAT I GOT IN MY POCKET HERE--
I SHOULDN'T BRING IT OUT 'CAUSE YOU'RE GONNA SAY NO?
LISTEN, KIDDO,
IF I'M IN LOVE WITH YOU, NONE OF YOUR FUCKING BUSINESS, OKAY?
THAT'S TOO BAD 'CAUSE YOU GOT GREAT LEGS.
IT'S RIGHT HERE.
HERE?
[ birds chirping ]
THE RIVER IS DOWN THERE.
YOU WANT ME TO WALK DOWN THERE?
- YEAH, YES, COME. - WELL, I'M NOT--
IT'S FINE. I'LL HELP YOU.
- OKAY. - OKAY.
THIS IS WHERE THEY'RE GONNA PARK THEIR CAR, RIGHT HERE.
AND THIS IS WHERE THEY HAVE THEIR PICNIC,
OVER HERE.
AND WE'RE HERE WITH TOM.
OKAY, I'M GONNA BRING HIM
AND TELL HIM I NEED TO SPEAK TO HIM ALONE--
YOU KNOW, THIS INTIMACY THING.
AND WE'RE GONNA BE AROUND THIS AREA.
AND THERE'S NOWHERE TO RUN, SEE?
SO HE'S NOT GONNA THINK ANYTHING.
AND THE CAR'S GONNA BE OVER THERE.
SO, OKAY, AND HERE'S WHEN I'M TAKING THE GUN.
I'M SHOOTING IN HIS DIRECTION-- POOM POOM.
WHOA WHOA WHOA. THAT IS THE FIRST TIME
I'VE HEARD YOU BRING UP A GUN.
'CAUSE I'M NOT, YOU KNOW--
WELL, IT'S ONLY TO FRIGHTEN HIM
BECAUSE I NEED TO TAKE HIS CAR KEYS AND THE CELL PHONE.
IT'S ONLY THAT. IT'S ONLY THAT. DON'T WORRY.
SO IN THE MOMENT THAT HE NEEDS TO REACH SOMEONE,
WE'RE GONNA BE REALLY FAR AWAY.
SO, OKAY, THAT IS GONNA BE
YOUR SIGN TO COME HERE--
TO COME AND PICK US UP RIGHT HERE.
EH? SEE?
- YOU KNOW, ELENA, I HAVE TO ASK THIS-- - YEAH.
UM...
WHAT IF TOM DOESN'T WANNA?
- DOESN'T WANT WHAT? - DOESN'T WANNA GO.
I MEAN, DOESN'T RECOGNIZE YOU.
OH, NO, HE WILL RECOGNIZE ME.
HE WILL?
YEAH YEAH.
[ sighs ]
OKAY, SO SAY-- SAY-- LET'S SAY THAT IT ALL GOES GOOD
AND YOU'VE GOT YOUR KID BACK.
THEN WHAT?
WELL, THEN YOU DRIVE US
BACK TO SAN DIEGO, YOU KNOW?
BECAUSE WE'RE GOING HOME.
WE'RE GOING TO MEXICO.
I HAVE EVERYTHING THERE READY FOR HIM.
YOU KNOW, THAT ASSHOLE
WANTED TO LEAVE ME
WITHOUT EVERYTHING BRIAN GAVE ME.
AND I FOUGHT HIM. I FOUGHT HIM AND I WON THE TRIAL.
SO NOW I'M RICH, JULIA.
I HAVE MORE MONEY THAN I NEED.
YEAH.
I DON'T KNOW.
♪ I can't get you out of my mind ♪
♪ True love ♪
♪ Is so hard to find... ♪
Hello.
ELENA, IT'S ME-- JULIA.
I'LL DO IT.
I knew it. I knew it.
God told me. Thank you so much.
NO NO, I MEAN, THE GUY IS A PRICK, RIGHT?
AND HE'S GOT YOUR KID.
AND, YOU KNOW, THERE'S NO MOTHER
IN THE WORLD THAT WOULDN'T DO WHAT YOU'RE DOING.
SO YOU CAN REST ASSURED I'M WITH YOU.
HEY, DOES NICK COSTELLO STILL LIVE HERE?
NICK-- NICK COSTELLO.
- YES, HE SLEEP. - HE'S HERE?
- YES. - CAN I--? OLD FRIEND.
- YES. - NICK-- VERY OLD--
HE'S NOT SLEEPING. THERE HE IS.
HE'S LOUNGING IS WHAT HE'S DOING.
WHOA WHOA WHOA, LOOK WHO'S COME TO VISIT ME.
A BLAST FROM THE PAST.
- JULIA, JULIA. - LOOK AT YOU. WHAT'S HAPPENED TO YOU?
- YOU LOOK TERRIFIC. LOOK AT YOU. - OH, I'M A DINOSAUR.
- SIT DOWN. - OKAY.
- SIT DOWN. - ALL RIGHT, ALL RIGHT.
I WANT TO GIVE YOU A KISS. MM-MM!
- WHOA. - YOU GOT A NURSE NOW OR WHAT?
KITTY-- THAT'S MY WIFE.
YOUR WIFE? YOU GOT A WIFE?
- YEAH. - MAN!
NOW, NICKY, YOU THINK SHE MIGHT LIKE TO GO OUT TO THE STORE
AND GET A FEW BEERS OR SOMETHING, YOU KNOW, GET LOST FOR A WHILE?
I HAVE SOMETHING I WANT TO ASK YOU.
NO FUNNY BUSINESS. I JUST HAVE TO ASK YOU SOMETHING.
...AND THE WOMAN IS A TOTAL NUTJOB.
SHE DOESN'T GIVE A SHIT ABOUT ME. ALL SHE DOES ALL THE TIME NON-STOP
IS TALK ABOUT THE KID, THE KID, THE KID, THE KID.
AND I'M SUPPOSED TO TAKE THE RISK OF GOING AWAY
FOR WHAT? A MEASLY 20 GRAND?
AND FOR WHAT? WHY WOULD I DO THAT FOR HER?
AND THERE'S REAL MONEY THERE, NICK.
I TELL YOU, I'VE SEEN THE PICTURES AND THEY'RE LOADED.
BUT YOU KNOW, THE MONEY IS NOT ENOUGH FOR HER.
NO NO, SHE HAS TO HAVE THE KID.
- SHE'S THE MOTHER, FOR CHRIST'S SAKES. - WELL, EXACTLY.
THAT'S WHAT I'M SAYING. SHE'S THE MOTHER.
AND OF COURSE, THE LADY-- YOU KNOW, SHE HAS TO HAVE HER KID.
RIGHT, OKAY. WELL, THEN SHE HAS TO PAY FOR IT.
AND IT'S TIME MY LUCK CHANGED.
AND IT'S TIME SOMETHING WENT RIGHT FOR ME FOR A CHANGE, AND YOU.
YEAH, HOW'S THAT GONNA HAPPEN?
IT'S SIMPLE. OKAY, LISTEN HERE.
I GO WITH HER. I GET THE KID.
SWEET, OKAY. AND THEN HERE'S THE KICKER--
WEKIDNAP THE KID FROM HER.
- OH, JESUS CHRIST. - WE KIDNAP THE KID FROM HER.
LISTEN TO ME. WE'RE COMING BACK IN THE CAR.
I THINK OF SOMETHING. YOU KNOW ME-- I'LL THINK OF SOMETHING.
AND I STOP THE CAR AND YOU'RE THERE, RIGHT?
YOU'RE THERE AND YOU SEPARATE THEM AND YOU TAKE THE KID
AND YOU TAKE OFF WITH THE KID. YOU JUST TAKE OFF WITH THE KID, OKAY?
AND DON'T WORRY ABOUT THE WOMAN 'CAUSE I'LL DEAL WITH HER.
AND THEN-- AND THEN WHAT HAPPENS?
AND THEN, YOU KNOW, SHE HAS NO CHOICE.
I MEAN, WHAT IS SHE GONNA DO?
SHE'S EITHER GOTTA COME UP WITH THE MONEY-- WHATEVER WE ASK--
OR THE CHILD GOES BACK TO THE OLD MAN, SHE NEVER SEES HIM AGAIN.
I MEAN, SHE'S GOT TO PAY, RIGHT?
AND PLUS, IT'S NOT EVEN LIKE SHE CAN GO TO THE COPS.
IT'S THE DOUBLE-CROSS OF A LIFETIME.
AND THE MONEY-- IT'S RIGHT THERE.
I CAN SMELL IT.
AND-AND THEY CAN GO ANYWHERE THEY WANT.
THEY CAN GO TO MEXICO. THEY CAN GO TO BUENO BYE-BYE.
AND WE CAN GO WHERE THE FUCK WE LIKE.
JULIA, WHERE DID YOU GET THIS IDEA?
NICK, YOU KNOW MY LIFE. YOU KNOW MY LIFE.
YOU KNOW IT. I'M SO SICK OF IT.
I WORK. I WORK LIKE A DOG.
AND WHERE'S THE MONEY? I DON'T KNOW.
IT'S JUST-- IT'S LIKE-- IT GOES THROUGH MY FINGERS.
I MEAN, I DON'T KNOW WHERE.
I'M-- I'M TIRED, NICKY. AND WHAT DO I DO?
I SMILE AND I EAT SHIT FROM GUYS.
AND WHAT DO I HAVE? I MEAN, I DON'T HAVE ANYBODY.
AND I GET DRUNK.
AND I'M GETTING OLD.
JESUS, YOU'RE NOT GETTING--
I'M GETTING OLD. LOOK AT THIS.
I'M GETTING OLD. YOU'RE JUST AS BEAUTIFUL AND CRAZY AS EVER.
AND SHE HAS HER KID. SHE HAS A KID
AND SHE HAS ALL THAT MONEY. SHE HAS ALL THAT INHERITANCE.
AND THE MONEY-- IT'S JUST THERE. WE JUST HAVE TO TAKE IT.
NICKY, NICKY, NICKY,
YOU'RE THE ONLY PERSON I CAN COME TO WITH THIS.
- JULIA, JULIA, JULIA. - NICKY, BABY, NICKY.
WAIT WAIT, LISTEN LISTEN.
- LISTEN, YOU AND ME-- - YEAH YEAH YEAH.
--IT WAS A WHILE AGO. IT'S A LONG TIME AGO.
NOW I LOVE KITTY.
- [ sobs ] - I'VE NEVER BEEN LIKE THIS.
SHE'S A GEM. I DON'T WANT TO BE PUT AWAY,
LEAVING HER ALONE FOR 20 YEARS.
I'M SORRY, BUT I CAN'T DO THIS WITH YOU.
NOW WALK AWAY FROM THIS INSANITY.
COME ON.
TELL THIS WOMAN YOU'RE NOT INTERESTED. IT'S LUDICROUS.
[ gulping ]
HEY, LEON.
COME OVER HERE. I WANT TO ASK YOU SOMETHING.
ALL RIGHT, LOOK,
IT'S GONNA BE $10 FOR THE FIRST PUMP,
ABOUT $20 FOR THE NEXT PUMP.
NO, MAN, GET IN. I NEED SOME HELP WITH SOMETHING.
WHAT DO YOU NEED HELP WITH?
IT'S KIND OF A BUSINESS PROPOSITION.
OH, A BUSINESS PROPOSITION?
GET IN THE CAR. I'LL TELL YOU ALL ABOUT IT.
I CAN DEFINITELY DO THAT. YO.
HEY, GUYS. IT'S A BEAUTIFUL DAY.
WELL, HELLO, JULIA.
YOU MIND IF WE DRIVE A LITTLE?
YEAH, GO AHEAD.
I NEED TO ASK A FAVOR.
- UH-HUH? - UM, OKAY,
SO I... I LOANED SOME MONEY
TO THIS WOMAN.
AND SHE'S NOT PAYING ME BACK.
OH, GIRL, YOU NEED LEON.
BUT HERE'S THE GOOD NEWS--
I THINK I HAVE A WAY TO STOP HER.
AND THAT IS?
SHE'S GOT PROBLEMS WITH HER KID, OKAY?
SHE'S BEEN A BAD MOTHER. AND THE KID IS--
IT'S SUPPOSED TO GO TO A FOSTER HOME.
AND SHE'S HIDING THE KID.
SO I FIGURED
IF I STEAL THE KID--
STOP STOP. HOLD ON A SECOND.
I JUST WANT TO SCARE HER A LITTLE.
HOW MUCH THIS BITCH INTO YOU FOR?
$5,000.
IN.
I JUST FEEL SO NERVOUS.
OH, HONEY, YOU HAVE GOT NOTHING TO BE NERVOUS ABOUT.
YEAH?
AND LOOK, THINK OF IT THIS WAY--
THIS TIME ON WEDNESDAY
YOU'RE GONNA BE WITH TOM IN THE CAR.
YEAH?
- YES. - YEAH, THAT'S IT.
YEAH. YEAH, SURE I'M RIGHT.
TRUST ME.
ALSO, YOUR PROBLEM--
YOUR PROBLEM WITH DRINKING--
WHAT?
I WANT YOU WEDNESDAY--
YOU DON'T DRINK.
OH, YEAH.
SURE?
NO NO NO, SURE. YEAH, SURE.
WEDNESDAY I'LL BE STRAIGHT.
GOOD. [ laughs ]
I WANT TO GIVE THIS TO YOU.
- YOU DON'T HAVE TO GIVE ME ANYTHING. - NO NO NO, I WANT--
- CAN I HAVE YOUR HAND? LET ME HAVE YOUR HAND, PLEASE. - NO, I'M NOT--
- IT'S PRETTY. - PLEASE LET ME HAVE YOUR HAND.
PLEASE LET ME HAVE YOUR HAND.
I WANT TO GIVE THIS TO YOU.
WHEN TEMPTATION'S STRONG, OKAY?
- YOU JUST PRAY. - OH, I DO?
AND THEN YOU HAVE TO KISS THIS.
- I KISS IT? - KISS IT.
- NOTHING GONNA HAPPEN TO ME. - NO.
GONNA, LIKE, GO UP IN A PUFF OF SMOKE?
- YOU JUST KISS IT. - OKAY.
- THERE YOU GO. - OKAY, THERE YOU GO.
- SO NOTHING'S GONNA HAPPEN TO ME NOW. - [ both laughing ]
OKAY.
THIS IS A BULLET. THIS IS YOUR CLIP.
YOU'RE GONNA PUT THE BULLET RIGHT IN THERE.
I SHOWED IT TO YOU SLOW FOR A REASON. YOU'RE GONNA KEEP PUTTING THEM IN THERE.
YOU'RE GONNA TAKE YOUR CLIP AND YOU'RE GONNA TAKE YOUR GUN,
GONNA POP IT IN THERE, PULL THE CHAMBER.
AND THERE'S A BULLET IN THE CHAMBER. TAKE YOUR SAFETY OFF.
YOU BRING IT UP. YOU'RE LOOKING THROUGH THE CROSSHAIRS.
YOU PUT THE PERSON IN YOUR SIGHT AND YOU BLOW THAT MOTHERFUCKER-- POOM.
THE CAT'S GONE. YOU FEEL ME?
- OKAY. - ALL RIGHT.
I'M GONNA PAY YOU TOMORROW.
WHAT THE FUCK YOU MEAN, YOU'RE GONNA PAY ME TOMORROW?
ARE YOU--?
J, DON'T FUCK ME, OKAY? YOU'RE ALREADY INTO ME FOR TWO Gs NOW.
NOW THIS SHIT, YOU'RE INTO ME FOR THREE Gs.
AND GUESS WHAT-- LEON JUST DON'T GIVE FUCKING CREDIT.
- DO YOU FEEL ME? - YEAH YEAH.
- DO YOU FEEL ME? - YEAH YEAH, I HEAR YOU.
LEON, BELIEVE ME,
I SWEAR TO YOU I'M PAYING YOU TOMORROW.
ON MY HEART.
IT'S, UM, YEAH.
- OH. - HERE ARE THE-- THE KEYS.
YEAH, THE CAR'S OUTSIDE.
GOOD. YOU SEE? THINGS ARE ALREADY GOING GOOD.
YES. OH, AND I HAVE THIS TOO.
IT'S LIKE DEATH.
WHITE'S BETTER.
THAT'S GONNA FRIGHTEN TOM. IT FRIGHTENS ME.
NOW I HAVE TO CHANGE IT. I HAVE TO CHANGE THAT.
AND PRAY WITH ME.
- PRAY WITH ME NOW. - I DON'T PRAY.
- PLEASE PRAY. PRAY, COME ON. - NO NO NO.
- PRAY WITH ME. - NO, I DON'T PRAY.
JULIA.
[ door opens and closes ]
[ helicopter whirring ]
[ knocks on door ]
Julia: HI.
ARE YOU STILL DOING IT?
YEAH YEAH, NO PROBLEM.
LISTEN LISTEN, I NEED TO HAVE THAT MONEY THAT WE TALKED ABOUT.
OH. OH, THE MONEY.
YEAH, SURE. YOU'LL HAVE IT. YOU'LL HAVE IT.
NO NO NO, I MEAN I NEED TO HAVE IT NOW.
WE AGREED.
TOM-- WHEN I GET TOM, HE'LL GIVE US THE MONEY,
EVERYTHING HE OWES. 'CAUSE WE'RE GONNA HAVE EVERYTHING.
AND IT'S ALL TOM'S MONEY.
AND THAT MAN, HE IS SO OLD, HE'S GONNA INHERIT EVERYTHING SOON.
AND YOU KNOW WHAT? I'M GONNA HAVE MORE MONEY THAN I NEED,
MUCH MORE THAN I NEED. AND YOU SHOULD COME WITH US TO MEXICO.
COME WITH US. IT'S GONNA BE A BIG HOUSE. YES? PLEASE?
- ELENA? - PLEASE, I BEG YOU, COME WITH US.
ELENA, ARE YOU SAYING THAT YOU DON'T HAVE THE MONEY NOW YOURSELF?
- WELL, MONEY DOESN'T MATTER. - WHAT?
- IT'S TOM, RIGHT? - WHAT? THAT BANK AND THE SHARES AND EVERYTHING--
I DON'T HAVE THE MONEY, OKAY? I DON'T HAVE ANY MONEY.
HE HAS ALL THE MONEY. HE'S GONNA GIVE IT AND GOD'S WITH US.
GOD'S WITH US? GOD'S WITH US AND YOU DON'T HAVE THE MONEY?
NO, I DON'T HAVE IT, BUT--
I OWE THAT MONEY! THAT'S MY MONEY,
YOU FUCKING PSYCHO!
[ sobbing ]
[ screams ]
MY BABY!
EVEN AN ANIMAL KEEPS ITS BABIES.
EVEN A BITCH KEEPS ITS BABIES.
HELP ME! SOMEBODY HELP-- HELP ME!
♪ But you see ♪
♪ I got a fine woman somewhere ♪
♪ She tells everybody "Sam is my man" ♪
♪ And if she ♪
♪ If she's got a small problem ♪
♪ Ohh-hh ♪
♪ I know I'm gonna help her solve it ♪
♪ If something is wrong ♪
♪ With my baby ♪
♪ Something is wrong with my baby... ♪
[ birds chirping ]
Man: TOMMY, COME ON NOW.
BUDDY, COME ON OUT OF THE RIVER NOW.
LET'S GO.
[ groans ]
[ exhales ] FUCK.
[ breathing heavily ]
[ flies buzzing ]
[ Australian accent ] HEY, IT'S ME-- MARCUS.
DUDE, I'VE GOT A FLAT TIRE AND THERE'S NO JACK IN THE CAR.
I'M DOWN BY THE RIVER WITH THE BOY.
YEP YEP, THE USUAL PLACE.
FUCK LEON.
FUCK.
HEY THERE. I HATE TO BOTHER YOU,
BUT I'VE GOT A FLAT TIRE JUST DOWN THERE
AND I DON'T HAVE A JACK. DO YOU HAVE A JACK I COULD BORROW?
I'VE GOT A SPARE AND EVERYTHING. DO YOU HAVE A JACK?
SURE. HELP YOURSELF.
COULD YOU JUST POP THE BOOT, PLEASE?
I THINK IT'S ON THE DOOR THERE.
- OH, THERE, YEAH. - AWESOME.
I'LL BRING IT RIGHT BACK. THANKS A LOT.
[ panting ]
TOM, I'LL BE RIGHT BACK.
[ car engine starts ]
[ engine idling ]
[ panting ]
ALL DONE.
HEY HEY! [ screaming ]
[ screams ]
[ Marcus gasping ]
[ panting ]
[ door alarm beeping ]
HEY, YOU, COME OUT OF THERE.
GET OUT OF THE WATER. COME ON, GET OUT OF THE WATER.
COME OUT OF THE WATER NOW!
COME ON! YOU WANT ME TO COME IN AND GET YOU?
- THIS WAY. - MARCUS! MARCUS!
YOU WANT ME TO USE THIS GUN?
FASTER.
COME ON, KID, COME ON.
- WHO ARE YOU? - COME ON, SHUT UP.
- WHAT DO YOU WANT? - SHUT YOUR MOUTH.
GET UP. GET UP.
[ whimpering, panting ]
WHAT DO YOU WANT?
STAND THERE WHERE I CAN SEE YOU. NOW STAND THERE
AND DON'T MOVE. AND SHUT UP.
- MARCUS! - SHUT UP!
SHUT UP.
STAND THERE.
- NOW GET IN THE TRUNK. - NO.
- GET IN THE TRUNK. - NO, PLEASE.
GET IN THE TRUNK.
- COME ON, GET IN THE TRUNK. - OWW-WW!
NO! NO!
[ Tom screaming ]
HEY.
DO YOU HAVE A ROOM?
- JUST YOU? - YEAH.
I GOT ONE.
- NO PETS, NO DRUGS, NO PARTIES. - NO NO NO.
- CASH OR CHARGE? - CASH.
- [ Tom whimpering ] - [ groans ]
I DON'T WANT YOU TO MAKE A SOUND.
COME ON, GET OUT.
PUT YOUR HANDS DOWN. PUT YOUR HANDS DOWN.
NOW MOVE IT. MOVE IT.
STAND THERE. STAND THERE.
DON'T FUCKING MOVE. NOW GET IN THE BATHROOM.
I DON'T WANT TO HEAR A FUCKING SOUND OUT OF YOU.
STAND THERE.
FUCK, WHAT A STINK.
[ water running ]
[ whimpering ]
OKAY, DRINK IT. DRINK THE WATER.
DRINK THE FUCKING WATER. DRINK IT DOWN. DO AS I SAY.
DRINK IT NOW. [ panting ]
WHAT'S THAT FUCKING STINK?
[ shower running ]
ALL OF IT.
OKAY, NOW TAKE THAT. GET IN THE SHOWER.
GET IN THE FUCKING SHOWER AND WASH YOURSELF GOOD.
NOW TAKE THOSE OFF AND WASH 'EM.
YOU WASH THE SHIT OFF YOU?
[ whimpering ]
OKAY, THAT'S ENOUGH.
TURN IT OFF.
GET OUT OF THE SHOWER.
COME ON.
OKAY.
DRY YOURSELF.
GOOD BOY, TOM.
COME ON, DRY YOURSELF.
OKAY.
YOU'RE GONNA STAY WITH ME FOR A WHILE, OKAY?
AND TOMORROW
YOU'RE GONNA GO BACK TO YOUR GRANDFATHER.
AND NOTHING BAD IS GONNA HAPPEN TO YOU.
OKAY, PUT OUT YOUR HAND.
[ stomps ] PUT OUT YOUR FUCKING HAND.
NOW THOSE ARE GOOD. THEY'RE GONNA MAKE YOU RELAX.
DRINK 'EM DOWN.
DO AS I SAY. DRINK 'EM DOWN.
ALL OF IT.
LET ME SEE IN YOUR MOUTH.
GOOD. OKAY.
YOU NEED TO SLEEP. YOU'RE TIRED.
OW.
- SHUT UP. - OW.
GET IN THE BED. GET IN THE--
PUT YOUR LEGS IN. THAT'S IT.
YOU NEED TO SLEEP.
IT'S GOOD-- GOOD TO SLEEP.
OKAY, CLOSE YOUR EYES.
- CLOSE 'EM, COME ON. - [ whimpering ]
COME ON, COME ON, COME ON. COME ON!
[ exhales ]
[ grunting ]
Eight-year-old Tom Whytekear was kidnapped this Wednesday afternoon.
The grandson of the renowned multimillionaire electronic kingpin
Clyde Whytekear, the child disappeared
in particularly violent circumstances.
Marcus Adams, the man minding the child,
was run over by an unidentified car and seriously injured
during the incident. He is currently in a coma
and no diagnosis has been reached
as to his chances of survival.
Police are investigating the whereabouts of Tom's mother
Elena Gonzales, a Mexican citizen
with a tumultuous psychiatric history
who mysteriously disappeared from her LA apartment
the day before the crime.
The coincidence of her disappearance
and Tom's kidnapping remains unresolved and--
[ line ringing ]
Man: Whytekear Enterprises, security services.
What can I do for you?
I WOULD LIKE TO LEAVE A VERY IMPORTANT MESSAGE
FOR MR. WHYTEKEAR CONCERNING THE WHEREABOUTS
OF HIS GRANDSON-- THE KID THEY KIDNAPPED.
[ birds chirping, dog barking ]
[ soft thud ]
[ muffled grunts ]
[ grunting ]
OH.
OKAY, YOU DON'T MAKE A SOUND.
[ whimpering ]
WHAT? WHAT IS IT?
- WHAT? - I CAN'T FEEL MY LEGS. I CAN'T FEEL THEM.
- THEY'RE DEAD. - IT'S PINS AND NEEDLES. IT'S YOUR BLOOD.
- RUB THEM. - I HAVE TO GO.
OKAY, COME ON, COME ON, COME ON.
IN HERE.
NO NO NO, THE DOOR.
NO NO, I HAVE TO SEE YOU, OKAY?
I CAN'T GO IF YOU WATCH.
YEAH.
[ toilet flushes ]
OKAY, TOM?
COME IN HERE AND GET A-- GET A BURGER.
BE GOOD FOR YOU TO EAT.
ARE YOU GOING TO KILL ME, MA'AM,
AFTER MY GRANDFATHER GIVES YOU THE MONEY?
AM I--
AM I GONNA KILL YOU? WHAT THE--
WHAT KIND OF A FUCKING QUESTION IS THAT?
NO, I'M NOT.
WHAT THE--
COME HERE.
I--
I DIDN'T TAKE YOU TO KILL YOU.
AND I DIDN'T TAKE YOU FOR ANY FUCKING MONEY EITHER.
DO YOU REMEMBER YOUR MOTHER, TOM?
HUH? ELENA? SHE'S A FRIEND OF MINE.
SHE'S MY-- SHE'S A-- SHE'S A--
GOOD-- VERY VERY GOOD-- SHE'S MY BEST FRIEND.
RIGHT? AND SHE... SHE ASKED ME TO TAKE YOU
BECAUSE YOU KNOW YOUR GRANDFATHER DOESN'T LET YOU SEE HER?
WELL, SHE WANTS TO SEE YOU.
SHE-- SHE-- SHE NEEDS TO SEE YOU.
YOU'RE HER LITTLE BOY AND SHE MISSES YOU.
AND SO I'M TAKING YOU TO HER,
AND THEN AFTER I'M GOING TO TAKE YOU BACK TO YOUR GRANDFATHER.
OKAY? AND THAT'S IT. FUCK.
SO NOW I DON'T NEED TO TIE YOU UP OR ANYTHING.
YOU KNOW? FROM NOW ON.
'CAUSE YOU KNOW IT NOW.
YOU KNOW THE DEAL, ALL RIGHT?
WELL, JUST LISTEN.
JUST TAKE THESE. THIS IS STOMACH MEDICINE.
AND IT'S GONNA BE GOOD FOR YOU, OKAY?
- THAT'S WHAT MADE ME SICK. - NO NO NO.
THIS IS MEDICINE. THIS WHY IT'S CALLED MEDICINE.
I MEAN, IT'S GOOD FOR YOU. COME ON, COME ON, COME ON, TOM.
COME ON, COME ON, COME ON.
THERE YOU GO. OKAY OKAY.
ONE MINUTE. OKAY, TAKE THAT.
THERE WE GO. COME ON.
[ police radio chatter ]
[ grunts ]
COME HERE, YOU FUCKING BITCH.
COME HERE, I'M GONNA FUCKING KILL YOU.
[ honking ]
[ muffled P.A. announcements ]
Woman on P.A.: Can I have your attention, please?
Larry Williams, please contact station services.
Man on phone: Whytekear Incorporated.
UH, IT'S ME. I'M THE SAME PERSON WHO CALLED YESTERDAY.
ABOUT THE KID-- GIMME WHYTEKEAR.
This is Whytekear.
- I KNOW WHERE YOUR GRANDSON IS. - You have Tom?
NO NO, NOT ME. I, UH...
I SAW HIM WHEN HE GOT OUT OF THE CAR.
UH, HE WAS HALF NAKED AND, UM...
AND I... AND I SAW THE WOMAN FROM THE TV-- THE MOTHER.
UM, I RECOGNIZED HIM.
Where are they now?
THEY'RE IN THIS HOUSE. THEY'RE STILL THERE.
IT'S FULL OF CRACKHEADS!
AND, UM, I-I-- I KNOW BECAUSE...
WELL, UH, I'M NO ANGEL.
AND, OKAY, SO IT'S WHERE I GET MY SHIT.
UM, BUT, UH...
YOU KNOW, I CAN'T BE INVOLVED IN THIS.
I HAVE TO REMAIN ANONYMOUS BECAUSE--
How do I know it's really Tom?
UM, HE'S WEARING
A BATHING SUIT WITH BLUE STRIPES.
What is it you want?
What is it? Tell me!
UH, I WANT WHAT I CAN SELL--
MY INFORMATION, $2 MILLION.
$2 million and you guarantee
he will be at the address you give me?
THEY'RE THERE AND THEY'VE BEEN THERE.
I'VE BEEN WATCHING THEM ALL NIGHT.
AND WHEN CAN YOU GET THE MONEY?
Tomorrow.
OKAY, 8:00 P.M.,
L.A. GREYHOUND BUS STATION, LOCKER 444.
[ slurring ] YEAH, WELL, I CAN SEE YOU'RE MAD AT ME.
UH, I KNOW YOU'RE MAD,
BUT I HAD TO GO OUT, RIGHT?
I HAD TO TIE YOU UP.
I MEAN, YOU RUN AWAY AND YOUR MOM NEVER GETS TO SEE YOU.
SEE WHAT SHE GAVE ME TO GIVE YOU?
HUH? THAT'S HER OWN
BEAUTIFUL MEDALLION.
WHAT?
YEAH, SEE...
NO NEED TO COVER MY FACE.
YOU CAN SEE ME.
YOU KNOW WHY WE'RE TOGETHER.
SO SHE GAVE ME THIS TO GIVE TO YOU AND SHE WANTS YOU TO WEAR IT
TO PROTECT YOU AND TO KEEP YOU SAFE
UNTIL SHE CAN DO THAT HERSELF.
NOW...
IF I PROMISE YOU
I'LL NEVER TIE YOU UP AGAIN...
ARE YOU GONNA PROMISE ME THAT YOU'RE NOT GONNA RUN OFF
- AND YOU'RE GONNA STAY WITH ME AND YOU'RE GONNA BE GOOD? - MM-HMM!
YEAH, AND THE PANTS.
AND THE SHOES,
YEAH, PUT THEM ON.
JUST PUT THEM ON.
ARE THEY GOOD?
THEY'RE TOO BIG, MA'AM.
WELL, BETTER TOO BIG THAN TOO SMALL.
COME ON, SIT DOWN.
SIT DOWN. JESUS, SIT DOWN!
I'M GOING TO GET YOU SOME FOOD.
WHAT ARE YOU DOING?
I LIKE IT IN HERE, MA'AM.
W-WELL, WHY? I MEAN, WE'VE GOT FOOD,
EVERYTHING. YOU HAVE A PROBLEM?
YOU SCARE ME.
WHAT?
SON OF A BITCH.
- [ woman speaking Spanish ] - NO NO, DON'T COME IN.
NO CLEANING. NO CLEANING.
GET OUT. GET OUT!
[ muffled grunting ]
[ dog barking ]
OKAY, I'M GONNA UNTIE YOU NOW.
ALL RIGHT, SO HOLD STILL.
LET ME HELP YOU.
- NO NO, GO SLOW. - YOU LIAR!
LET ME GO.
OW OW!
TOM!
THAT WAS THE LAST TIME, I PROMISE!
OH, KISS MY BUTT, YOU IDIOT!
TOM, WHERE ARE YOU GOING? THERE'S NOWHERE TO GO HERE.
THAT WAS THE LAST TIME!
I SWEAR TO GOD, I'M NOT COMING BACK.
WE'RE STAYING HERE FOR A WHILE.
YOU NEED WATER!
LOOK!
I'M GONNA LEAVE THIS HERE.
OKAY?
I'M GONNA LEAVE YOU ALONE.
TOM!
I SEE YOU.
WHAT ARE YOU DOING UP THERE?
COME DOWN.
STAY IN THE SHADE. IT'S HOT.
YOU WANT ME TO COME UP AND GETCHA?
I CAN SEE YOU.
OH, FOR--
YOU'RE GONNA GET BURNED.
DON'T TELL ME I DIDN'T WARN YOU.
[ panting ]
WE'VE GOTTA GO DOWN AND GET SOME WATER.
WHERE ARE YOU GOING?
HOW LONG DO WE HAVE TO STAY HERE?
NOT LONG. UNTIL SHE CALLS.
WHEN SHE CALLS, WE'LL GO.
WHERE?
YOU'LL FIND OUT.
I DON'T HAVE TO TELL YOU EVERYTHING.
WHY ISN'T SHE JUST HERE NOW?
SHE SEES ME-- DONE! I GO HOME.
IT'S NOT...
IT'S NOT THAT EASY, YOU KNOW?
SHE...
SHE HAS TO BE CAREFUL.
BECAUSE OF YOUR GRANDFATHER.
HE REALLY HATES HER, YOU KNOW?
ON ACCOUNT OF HER BEING MEXICAN.
YOU KNOW THAT?
WHICH, BY THE WAY,
MAKES YOU HALF MEXICAN.
I BETCHA HE DOESN'T TALK TO YOU ABOUT THAT.
HUH?
I BET HE'S REALLY REALLY SWEET TO YOU.
HE'S A FUCKING RACIST TO HER.
YOU LISTEN TO ME, YOUR GRANDFATHER,
HE'S JUST JEALOUS BECAUSE--
BECAUSE HE KNOWS HE'S JUST SOME
TIRED OUT OLD FUCK WHO'S IN A WHEELCHAIR
AND WHO'S GONNA DIE SOON.
AND YOUR MOTHER, SHE'S...
SHE'S WONDERFUL.
SHE'S JUST
A BEAUTIFUL HUMAN BEING.
SHE'S WARM
AND GOT THIS BEAUTIFUL SMILE.
AND EVERYBODY LOVES HER
AND...
ACTUALLY YOU LOOK LIKE HER.
YOU'VE GOT HER EYES.
SHE LOOKS LIKE A-- LIKE A SQUAW,
LIKE A BEAUTIFUL RED INDIAN SQUAW
WITH, YOU KNOW, LONG SHINY BLACK HAIR.
AND SHE'S GENEROUS-- GENEROUS HEART.
NOT LIKE HIM.
THEN WHY DID SHE CHOOSE SOMEONE LIKE YOU WITH A GUN?
- YOU PUT ME IN THE TRUNK. - ARE YOU SHOT?
WHERE IS THE BULLET HOLE?
NO!
SHE DOESN'T KNOW I HAVE A GUN.
AND ANYWAY, WHAT ELSE DO I DO?
I MEAN, I COME TO YOU, I SAY, "YOU DON'T KNOW ME,
I DON'T KNOW YOU. YOU GET IN MY CAR.
I'M TAKING YOU TO YOUR MOM."
WOULD YOU HAVE COME? I DON'T THINK SO.
YOU DON'T GIVE A FUCK. YOU DON'T THINK ABOUT HER.
ALL SHE DOES IS THINK ABOUT YOU.
YOU THINK ABOUT IT. YOU WOULDN'T EVEN BE HERE
IF IT WASN'T FOR HER.
SHE-- SHE RIPPED YOU OUT OF HER OWN GUTS.
YOU KNOW WHAT SHE SAID TO ME? SHE SAID...
"FOR THIS LITTLE BOY TO BECOME A MAN--"
THOSE WERE HER WORDS: TO BECOME A MAN.
"--HE HAS TO KNOW WHERE HALF HIS HEART COMES FROM."
THAT'S HER.
WHEN YOU SEE HER, YOU'LL THANK ME.
[ bugs chirping ]
[ gasping ]
[ bustling ]
OKAY.
OKAY OKAY!
IF YOU DON'T FUCKING DO THIS--
MOTHERFUCKING DO IT.
WAKE UP AND FUCKING DO IT.
- OKAY. - [ toilet flushes ]
[ yelps ]
[ distant siren wailing ]
[ car honking ]
[ bus hydraulics hiss ]
[ girls chatting]
- GET AWAY FROM THE CAR! - [ screaming ]
GET AWAY FROM THE FUCKING CAR.
OH MY GOD! [ screaming ]
THE FUCKING COPS WERE THERE! I SAW THEM, YOU FUCKING BASTARD.
LIAR! I SAW THEM.
The money was dropped. I did my part,
- now where is Tom? - YOU DON'T GIVE A SHIT ABOUT SEEING YOUR KID AGAIN.
- Julia Harris, we know who you are. - [ brakes squeal ]
We'll pay, but I want Tom.
If you lay a hand on him, you are fucking dead!
TOM? TOM?
TOM?
TOM!
TOM, TOM!
[ coughs ]
OH OH.
OH, TOM, TOM.
TOM, TOM. OH, FUCK.
TOM, TOM.
TOM, TOM, LOOK AT ME.
JUST OPEN YOUR EYES. JUST LOOK AT ME.
LOOK AT ME.
- [ coughs ] - THAT'S GOOD, THAT'S GOOD.
THAT'S GOOD. OKAY, THAT'S GOOD.
THAT'S GOOD.
COME ON, DRINK A LITTLE.
THERE YOU GO.
OH, THERE YOU GO. THERE YOU GO.
- [ choking ] - OH YEAH, THERE YOU GO.
THERE YOU GO. THERE YOU GO.
- [ wheezing ] - THERE YOU GO. THERE YOU GO...
[ wind rustling ]
[ birds cawing ]
Tom: MARCUS? MARCUS?
[ mumbling ] MARCUS?
IT'S OKAY, SWEETIE. IT'S OKAY.
- HE'S RIGHT HERE. - MARCUS?
- HE'S RIGHT HERE. - [ whimpering ]
HERE YOU GO.
[ helicopter approaching ]
Pilot: STILL THERE? WE'RE COMING IN.
I HAVE YOU IN SIGHT.
THERE'S ANOTHER ONE TOO.
[ people yelling ]
THERE'S A MAN RUNNING WITH BAGS.
WE'VE GOT A MAN RUNNING WITH BAGS UNDERNEATH HIM,
- BUT DON'T KNOW-- - ANOTHER ONE, HARD RIGHT.
P.A.: Border Protection. You are in US territory.
Border Protection. You are on US territory.
You are in US territory illegally and are under arrest.
Stop the car immediately or we will open fire.
This is your final warning. Stop the car or we will open fire.
I have an unidentified vehicle.
This is your final warning. If you do not stop, we will open fire.
[ screams ]
You are now in Mexican territory,
under the jurisdiction of the Mexico police department.
A brown vehicle containing unidentified passengers
just crashed through the border and are now in Mexico.
[ engine turns over ]
[ turn signal clicking ]
TWO PACKS OF THOSE CHIPS. YEAH, OKAY.
AND, UH... WHAT ARE THOSE THINGS THERE?
THE-- ARE THEY BANANAS?
YEAH, ONE OF THOSE.
- HOW MUCH IS THAT? - 25 PESOS.
UH, IN DOLLARS?
- DO YOU TAKE DOLLARS? - 2.50.
OKAY.
[ car door slams ]
THANKS.
HEY, THIS IS ALL THEY HAVE.
I GOT SOME CHIPS.
ARE YOU HUNGRY?
WHY AM I HERE-- IN THIS PLACE?
I WENT TO GET GAS AND...
I DIDN'T WAKE YOU 'CAUSE YOU WERE SLEEPING.
AND WHEN I CAME BACK...
GUESS WHO HAD GONE? DON'T YOU REMEMBER?
I DROVE AROUND THAT ENTIRE DESERT LIKE A CRAZY WOMAN.
YOU DIDN'T HEAR ME? DIDN'T HEAR ME HOLLERING?
COMPLETELY FUCKED MY CAR. I HAD TO GET A NEW ONE.
- WHERE WAS I? - WELL, GOOD QUESTION.
LISTEN TO ME, YOU'RE A FUCKING KID.
TO GO OFF INTO THE DESERT LIKE THAT
IS SO FUCKING DUMB.
- WHAT WOULD I HAVE TOLD YOUR MOTHER? - I DON'T WANT TO SEE HER.
- WHAT DO YOU MEAN YOU DON'T WANT TO SEE HER? - I WANNA GO HOME.
LOOK, WE'RE SO NEAR IT NOW.
YOU KNOW, WE CROSSED THE BORDER LAST NIGHT.
WE'RE IN MEXICO NOW.
WE'RE IN HER COUNTRY. WE'RE IN YOURCOUNTRY.
THIS IS MEXICO?
[ honking, whistle blows ]
[ distant cantina music blaring ]
[ car alarm blares, fades ]
IS THIS WHERE SHE LIVES?
[ honking ]
[ whistles ]
HEY, HOW ABOUT THAT?
YOU LIKE THAT?
- NO, THOSE AREN'T GOOD. - WHY NOT?
- IT'S GOT A BALL-- - I CAN DO IT MYSELF.
I'M GONNA GO OVER THERE, OKAY? I'LL WAIT FOR YOU THERE.
OKAY?
I'M GONNA BE WATCHING YOU, OKAY?
UH, EXCUSE ME, COULD I HAVE A CERVEZA?
- [ speaks Spanish ] - PLEASE? A CERVEZA.
THERE.
DO YOU KNOW A GOOD-- A CHEAP HOTEL
NEAR HERE? THANKS.
- WHAT IS CHEAP FOR YOU? - UH, I DON'T KNOW.
NOT EXPENSIVE, NOT-- NOTHING FANCY.
JUST SOME-- I DON'T KNOW, FAMILY PLACE?
CERVEZA, POR FAVOR.
- YOU WANT HELP? - NO, IT'S OKAY, THANKS.
YOU NEED A HOTEL? I KNOW A PRETTY GOOD ONE.
IT'S AROUND HERE. I CAN SHOW YOU.
IT'S LIKE TWO BLOCKS IN THE MAIN STREET--
- I'M JUST WAITING ON A FRIEND. - OH. [ speaks Spanish ]
YOU SHOULDN'T BE ALONE HERE, YOU KNOW?
- OH REALLY? - UH-HUH.
A PRETTY LADY LIKE YOU IN TIJUANA?
[ whistles ] THIS IS BAD FOR YOU.
- OH, IT IS? - MMM.
WHY IS THAT?
YOU SEE, I DON'T WANT TO SCARE YOU, BUT...
- YOU DON'T WANT TO SCARE ME? - WELL, I MEAN,
NO, REALLY. THIS TOWN IS FULL OF THIEVES.
- MMM. - YEAH, YOU BETTER GO TO A BEAUTIFUL PLACE.
WE HAVE A LOT OF--
MAZATLAN, POR EJEMPLO...
PUERTO VALLARTA IS BEAUTIFUL.
ACAPULCO IS VERY TOURISTIC.
SO I CAN TAKE YOU. I CAN BE YOUR GUIDE.
I CAN TAKE YOU THERE IF YOU WANT.
OH, I SEE, RIGHT.
YOU CAN BE SURE OF ONE THING:
THAT WHEN I AM IN THE MARKET FOR A TOURIST GUIDE,
I'LL REMEMBER YOU,
MR. THIS-IS-BAD-FOR-YOU.
[ chuckles ] SO I'M DIEGO SIERRA.
[ speaks Spanish ]
YOU GOT NOTHING BETTER TO DO WITH YOUR TIME, DIEGO,
THAN HIT ON GRINGOS IN BARS?
[ mutters Spanish ]
[ exhales ]
WHAT IF SHE CALLS AND YOU'RE SLEEPING?
I'M NOT SLEEPING. I'M JUST CLOSING MY EYES.
YOU HAVE NO IDEA HOW TIRED I AM.
WILL YOU TURN OFF THE LIGHT?
I'M ALL DRESSED.
GREAT.
[ line ringing ]
- Welcome? - IT'S JULIA HARRIS.
I'M CALLING FOR THE MONEY. TOM'S BEING TREATED WELL.
HE'S OKAY. NOTHING-- NOTHING BAD HAS HAPPENED TO HIM.
Now listen to me. A man came to see me.
He recognized you from the papers.
He had, you know, a lot of problems with his wife and his kids.
If you know what I'm talking about, don't say his name, just say yes.
YES.
Now the police don't know anything about him.
He talked to me about you
and I choose to trust you and you know you can trust him as well.
He's your friend.
He will give you the money and you will give us back Tom.
He'll be on his own, no cops,
and then I want you to disappear.
OKAY.
All three of us must make sure Tom is coming back home.
I'll call him now.
- He is waiting. - OKAY.
- Man: Yeah? - MITCH?
- IS THAT YOU? - Julia.
I suppose you talked to Whytekear, right?
Julia, you can talk. Nobody's listening in, Julia.
- Is the boy all right? - YEAH, HE'S FINE.
- Just don't hurt him. - DON'T HURT HIM?
IS THAT WHAT YOU THINK OF ME, MITCH?
AND I SUPPOSE YOU-- I SUPPOSE THAT'S WHAT YOU TOLD HIM, RIGHT?
THAT I'M SOME-- WHAT?
ALCOHOLIC DEGENERATE MORON?
No, that's what he thought before I talked to him.
Okay?
Listen, I'm interested in one thing.
One thing! Getting that kid back home, yes.
OKAY. WELL...
- YOU BRING THE MONEY HERE. - Where?
IN TIJUANA--
AT THE AIRPORT. WHEN CAN YOU GET THERE?
WAS THAT HER?
YEAH, SHE JUST HUNG UP.
WHY DIDN'T YOU GET ME?
HUH? OH, I WANTED TO,
BUT SHE WANTED YOU TO SLEEP.
IT SEEMS LIKE SHE HAS TO COME DOWN FROM THE MOUNTAINS-- THAT'S WHERE SHE'S FROM,
AND SHE'LL BE HERE TOMORROW.
WHY DID SHE SAY TO LET ME SLEEP?
LISTEN, WHY DON'T WE-- THE TWO OF US,
- JUST CELEBRATE, HUH? - CELEBRATE WHAT?
YOUR MOM'S COMING TOMORROW, HUH?!
- REALLY? - YEAH, A FIESTA!
[ party music playing ]
[ woman laughing ]
[ singing in Spanish ]
THANKS.
OKAY, WE'LL HAVE TWO ORDERS OF THAT,
AND... WHAT?
WHY DO YOU HAVE TO ORDER FOR ME?
- YOU HAVE A BETTER IDEA? - I CAN PICK MY OWN!
WELL, PIPE UP, BUDDY. COME ON, WHAT DO YOU WANT?
YOU CAN MAKE SENSE OF THAT?
TIME'S UP. WE'LL HAVE TWO ORDERS OF THAT-- THE CARNE CON FRIJOLES,
AND I'LL HAVE-- WITH FRIES.
AND I'LL HAVE ANOTHER GIN-- TRIPLE.
CAN YOU GET THROUGH YOURS?
NOT VERY WELL.
- AH, MY SHIRT! - WHAT?
- IT'S GOT KETCHUP ON IT. - IT'S OKAY, JUST WIPE IT OFF.
- GET IT OFF, GET IT OFF! - I CAN'T EVEN SEE IT.
- GET IT OFF. - JUST WIPE IT OFF.
LET ME DO IT THEN. LET ME DO IT.
SHE'S NOT GONNA NOTICE. I MEAN, KIDS ARE ALWAYS DIRTY.
EVERYBODY KNOWS THAT.
LISTEN TO YOU, MR. GET-IT-OFF!
I HEARD YOUR GRANDFATHER COMING THROUGH THERE, MISTER.
OH YEAH? WELL, WHEN MY GRANDFATHER STARTED OUT,
HE HAD NOTHING. HE'S TOUGH.
MY FATHER'S DEAD BECAUSE HE WAS WEAK.
HE WASN'T ABLE TO SEE WHAT WAS IMPORTANT IN HIS LIFE.
- YOU NEVER EVEN KNEW HIM. - HE CHOSE DRUGS OVER ME AND MY MOM.
I KNEW THAT ABOUT HIM. HE WAS ALWAYS GONE, LEAVING ME AND HER ALONE.
I DON'T WANT TO BE LIKE HIM.
WELL, SURE, SO HE FUCKED UP.
BUT, YOU KNOW, I MEAN, WHAT? HE TOOK DRUGS?
I HAVE NEWS FOR YOU. NOT EVERYBODY IS 100% PERFECT.
[ sighs ] I HATE HIM.
YOU DON'T HAVE TO HATE HIM. HE'S DEAD.
IT DOESN'T COUNT ANYMORE.
WHEN YOU WERE BORN,
HE THOUGHT THAT YOU WERE THE BEST THING THAT HAD EVER HAPPENED TO HIM.
OH YEAH? THAT'S 'CAUSE THE REST OF HIS LIFE MEANT NOTHING.
YOUR MOTHER AND YOUR FATHER, THEY HAD YEARS OF HAPPINESS TOGETHER.
AND YOU'RE THE PROOF OF THAT.
MY MOTHER IS A LOST SOUL.
YOUR MOTHER IS A LOST SOUL, HUH?
WELL, WHY DID YOU GO AND BUY ALL OF YOUR FANCY CLOTHES
TO MEET HER THEN, HUH? WHAT'S THAT ALL ABOUT?
- THAT'S JUST A WASTE? - I'M FINE BY MYSELF. I DON'T NEED ANYONE.
[ speaks Spanish ]
- Julia: OH, HEY. - MY AMERICAN FRIENDS.
- HOW ARE YOU DOING? - DIEGO, RIGHT?
- RIGHT. - RIGHT.
SO YOU FINALLY FIND WHERE TO STAY?
DIEGO, WE'RE IN THE MIDDLE
OF AN IMPORTANT CONVERSATION.
- [ speaking Spanish ] - YEAH.
AH, GOTCHA! CAN I SIT, PLEASE?
THANK YOU.
IT IS HOT IN HERE.
SO IT'S GOOD TO SEE YOU. WHAT ARE YOUR PLANS?
YOU-- YOU GOING BACK
SOON TO THE STATES?
WHY? DO YOU WANT TO GO TO AMERICA?
YOU WANT TO BE MY POOL BOY? [ laughing ]
- I DON'T KNOW, REALLY? - WHY NOT?
HAVE YOU GOT ANY BETTER OFFERS LATELY?
NO.
I HAVE TWO COUSINS THAT THEY TRIED TO...
- TO LEAVE-- TO CROSS OVER. - BYE.
WHERE ARE YOU GOING?
Diego: HE LIKES TO PLAY THE BIG MAN.
YEAH, HE'S A LITTLE MACHO
- TONIGHT. - POQUITO.
[ speaks Spanish ] YOU HAVE THIS BIG HOUSE AND POOL
- AND OTHER THINGS? - YEAH YEAH.
THAT'S GREAT.
- IN WHERE, IN L.A.? - SURE.
ABSO-FUCKING-LUTELY.
OH, IT'S-- IT HAS TO BE WONDERFUL.
- HUH? - I THINK L.A. IS WONDERFUL, NO?
L.A. IS A WONDERFUL WONDERFUL MAGICAL PLACE.
- YES. - YOU CAN BE SURE OF THAT.
AND I'M THINKING THAT
I'D LIKE TO GET A PLACE HERE. I LIKE IT.
WHAT DO YOU DO FOR A LIVING? WHAT'S YOUR BUSINESS?
UM, OH, I DON'T KNOW, THIS AND THAT.
- THIS AND THAT? WHAT DOES THAT MEAN? - YEAH, CHA CHA CHA CHA.
- WHAT'S THIS AND THAT? - IT'S JUST LIKE CHA CHA CHA CHA.
AH, YOU'RE JOKING THEN.
- I'M NOT JOKING. - YOU'RE LAUGHING AT ME.
- I'M NOT LAUGHING AT YOU. - I DON'T CARE.
- I WOULDN'T DO THAT. - YOU ARE BEAUTIFUL.
- YOU'RE FAST! - NO, I KNOW.
I'M NOT.
[ women talking in Spanish ]
- SHH! - [ rooster crows ]
SHHH.
[ Diego muttering ]
GO TO YOUR MOTHER. YOUR MOTHER.
HURRY HURRY.
JUST THROUGH THERE-- QUIET.
[ pan clatters ]
ARE YOU TICKLISH?
[ both giggling ]
[ groans ]
[ traffic noise ]
- [ rooster crows ] - HOLA.
BUENOS DIAS.
UM, HAVE YOU SEEN MY...
MY LITTLE BOY? UH--
POQUITO NINO?
[ speaks Spanish ]
LITTLE BOY? IT'S TOM, HE WAS HERE.
HE WAS THERE. I WAS IN THIS ROOM WITH...
[ speaks Spanish ]
IS MYNINO IN THECASA?
...DIEGO.
DIEGO?! DIEGO IS HERE?
WHERE? ¿ DONDEDIEGO?
¿CARENA?
!¡CARENA!
¿SI?
- HOLA. - [ speaks Spanish ]
MI POQUITO NINOTOM?
- HAVE YOU SEEN HIM? - [ rapidly speaking Spanish ]
- A COCHE? A CAR? - SI.
UM, NINO IN A CAR?
WHEN?
LOS HOMBRES? WITH SOME MEN? WHO, WHERE? SHOW ME.
WHICH HOMBRES? DO YOU KNOW WHICH--
[ speaks Spanish ]
WHERE?
THE COCHEWHAT? THE COCHEWENT DOWN THERE?
- IT WENT DOWN THERE? - SI.
OH, FUCK. OH, FUCK.
[ honks ]
UH, EXCUSE ME. I'M LOOKING FOR DIEGO.
DIEGO, HE WORKS HERE?
- DIEGO...? - UH, DIEGO-- WHAT'S HIS NAME?
- DIEGO RODRIGUEZ. - DIEGO RODRIGUEZ, DO YOU KNOW HIM?
DIEGO!
Julia: DIEGO!
DIEGO, YOU HAVE TOM?
IS TOM HERE?
- [ mutters ] - WHAT WHAT?!
- AT THE BAR LAST NIGHT. - WHAT WHAT?
- SOME GUYS ASKED ME WHO ARE YOU. - WHO?
I DON'T REMEMBER. AND I SAY...
- YOU WERE JUST-- - THEY ASKED WHO WE WERE?
YES, AND I JUST SAY YOU WERE AMERICANS TRAVELING.
YOU SAID WE WERE AMERICAN? OH, FUCK!
AMERICAN, YOU'RE AMERICAN!
AND YOU'RE TRAVELING, NO?
WHY DID YOU TAKE ME BACK TO YOUR HOUSE? THAT'S WHAT I WANT TO KNOW.
IT DOESN'T MATTER WHO-- WHERE YOU ARE.
- THE BOY HAS BEEN-- - IT DOESN'T MATTER WHERE YOU ARE!
MAYBE THEY CAN FOLLOW YOU. IT COULD BE HERE, IT COULD BE IN YOUR HOTEL.
THEY PUT A FUCKING GUN IN YOUR HEAD AND YOU CAN DO NOTHING.
THAT'S THE THING. AND IF YOU GO TO THE POLICE,
MAYBE THEY CAN KILL THE KID.
SO WE-- YOU HAVE TO BE CALM.
I'M GONNA BE WITH YOU. YOU HAVE TO BE CALM.
AND WE HAVE TO-- WE MUST WAIT.
- WAIT FOR WHAT? - FOR THE CALL.
THEY'RE GONNA CALL. THEY HAVE TO CALL.
HOW ARE THEY GONNA KNOW WHERE TO FIND-- I MEAN...
THEY'LL FIND YOU. THEY'LL FIND YOU.
THEY ALWAYS DEAL WITH THE FAMILY.
[ truck honks, passes ]
[ speaks Spanish ]
- Julia: IS THIS HIM? - YEAH, HE HAS A MESSAGE.
I DON'T HAVE ANYTHING TO DO WITH THIS
AND I DON'T KNOW WHO THESE PEOPLE ARE, OKAY?
BUT I GOT THIS CALL AND THEY TOLD ME
TO COME HERE AND TELL YOU THAT
IT'S GONNA BE $50,000
BY TOMORROW.
AND TO GET YOUR PHONE NUMBER.
$50,000-- I DON'T HAVE THAT KIND OF MONEY.
YOU KNOW THESE PEOPLE?
MA'AM, JUST A TAXI DRIVER.
I AM MIGUEL ALARCON.
UM, YOU CAN ASK. I LIVE BY THE STREET
WHERE YOUR KID WAS PLAYING. I LIVE THERE.
BUT I DELIVER MESSAGES FOR THE PEOPLE ALL THE TIME.
THAT-- THAT'S IT. I DON'T KNOW WHO THEY ARE.
AND THAT'S ALL.
JUST WRITE DOWN YOUR NUMBER HERE.
THEY WANT IT.
I'M NOT RICH.
I'M JUST--
A MOTHER.
I MEAN, IF I DID, I WOULD GIVE
ANYTHING.
WHAT'S YOUR NAME? MIGUEL?
- YES, MIGUEL. - WHAT DO I DO?
I DON'T KNOW. CALL YOUR FAMILY IN AMERICA.
MY FAMILY? I DON'T HAVE A FAMILY.
I'M BY MYSELF.
DANNY IS...
HALF MEXICAN-- LIKE YOU.
HIS FATHER, MY HUSBAND,
WAS MEXICAN. HE'S DEAD.
WE ARE POOR, LIKE YOU.
I-- I COULDN'T PAY HIS DEBTS IN THE UNITED STATES.
THAT'S WHY I CAME HERE.
YOU KNOW,
I CAN TELL YOU THIS:
THAT THAT YOU'RE SAYING, IT'S GOING TO BE VERY DANGEROUS FOR THE BOY
BECAUSE THEY WILL KNOW THAT YOU'RE LYING.
I'M NOT LYING. IT'S THE TRUTH.
WELL, UM, WHEN THEY CALL ME
I JUST TELL THAT YOU'RE NOT GOING TO PAY.
- OKAY? - NO NO NO, WAIT WAIT WAIT.
- [ Diego objecting ] - HEY HEY HEY, WAIT.
LISTEN TO ME, LISTEN TO ME.
I WILL PAY. I WILL PAY.
TONIGHT, OKAY.
- OKAY. - RIGHT, OKAY.
- BUT I WANT TO MEET THESE PEOPLE. - WHAT?
AND I WANT-- I WANT THE KID
THEN I'M GONNA PAY.
BUT I GET THE BOY FIRST.
THAT'S IT.
- [ curses in Spanish ] - WHAT WHAT?!
LET ME TELL YOU THIS, LADY, OKAY?
- THESE PEOPLE ARE KIDNAPPERS. YOU KNOW WHAT THAT MEANS? - YEAH!
I MEAN, THEY HAVE YOUR KID, GOD DAMN IT. THEY ARE GOING TO KILL YOUR SON.
WHAT-- WHAT KIND OF MOTHER ARE YOU?
YOU DON'T FIND THE MONEY AND--
THEY'LL CALL YOU, OKAY?
- GOOD DAY. - WHERE IS HE GOING?
NO NO, TELL HIM! TELL HIM THAT I WANT TO GO SEE SO I CAN EXPLAIN.
THE THING IS THAT HE DOESN'T KNOW A THING. HE'S JUST A TAXI DRIVER.
AND YOU HONESTLY BELIEVE THAT HE HAS NOTHING TO DO WITH THIS?
- HUH? - [ sighs ]
AT SOME POINT THEY'RE GONNA GET IN TOUCH WITH YOU
AND YOU HAVE TO WAIT! AND I'M GONNA BE WITH--
[ honking, traffic noise ]
[ cantina music blaring ]
[ bells tolling ]
[ cell phone ringing ]
- YES? - Man: You don't pay?!
NO, I PAY, I PAY IT.
You want to see the eyes of your son in front of your door, bitch,
find $50,000 for tonight!
[ line clicks ]
FUCK.
[ police radio chatter ]
[ siren approaching ]
[ unlocks door ]
- [ sputtering ] - WHERE'S THE BOY, HUH?
- CALL YOUR FUCKING FRIENDS UP. - I TOLD YOU, I'M JUST A TAXI DRIVER.
COME HERE, STAND UP, STAND UP, STAND THERE
WHERE I CAN SEE YOU. STAND HEREWHERE I CAN SEE YOU!
WHERE DID YOU PUT HIM!?
I SAW YOU! YOU WENT TO THE POLICE
AND THEN THEY CALLED ME.
TELL ME WHERE THE BOY IS. JUST TELL ME!
I DON'T KNOW WHERE HE IS. JUST GIVE THEM THE MONEY.
IF YOU DON'T GIVE THEM THE MONEY, THEY WILL KILL ME TOO.
I CAN'T. THE MONEY IS COMING TONIGHT.
- FROM HIS FATHER. HE'S RICH. - SO WHAT?
BUT HE NEEDS THE BOY BEFORE HE GIVES THE MONEY.
- I TOLD YOU THAT'S BULLSHIT! - I TOOK THE BOY FROM THE FATHER
WITHOUT TELLING HIM... KIND OF ILLEGALLY.
- ILLEGALLY? - I'M NOT THE MOTHER.
AND HE'S BRINGING A LOT OF MONEY TO GET THE BOY BACK.
AND I'LL GIVE IT ALL TO YOU. I'LL GIVE YOU $100,000
ALL FOR YOU, JUST TELL ME WHERE THE BOY IS.
SO-SO-SO-SO-- YOU ARE NOT THE MOTHER?
- NO. - BUT THE FATHER COMES
- WITH THE MONEY? - YES, TONIGHT.
WHO HAS THE MONEY, YOU OR THIS BASTARD?
HE DOES AND HE IS BRINGING IT HERE TONIGHT.
BUT I WILL GIVE IT ALL TO YOU, $100,000
TO YOU PERSONALLY
IF YOU WILL HELP ME FIND THE BOY.
IF HE HAS THE MONEY, HE IS THE ONE WE MIGHT BE CALLING.
NOT YOU.
- YOU'RE NOTHING. - WHAT?
- TELL ME THE NAME! - WHAT?
WHAT? WHY?
WHAT DOES THAT HAVE TO DO WITH ANYTHING?
OKAY, DON'T TELL.
YOU KNOW THE BOY WILL TALK.
PUT THE PHONE DOWN. YOU STOP DOING THAT.
I TELL-- YOU PUT-- YOU PUT THAT PHONE DOWN.
- PUT THE GUN AWAY. - YOU PUT IT DOWN.
FREEZE!
[ line beeping ]
[ knocks ]
- Woman: MIGUEL? - [ knocking ]
MIGUEL?
[ phone ringing ]
[ brakes squeal ]
[ dialing ]
SI, ¿SANTOS?
[ speaks Spanish ]
OKAY, BYE.
[ elevator dings ]
[ barking ]
HEY HEY.
- [ barks ] - [ dings ]
[ snoring ]
[ distant bark ]
[ barking ]
- [ speaks Spanish ] - [ barks ]
¿ COMO ESTAS? [ laughs ]
[ chatting on phone ]
[ kisses ]
[ hushed phone conversation ]
- [ shrieks ] - [ shouting ]
[ barking ]
HOW DID YOU FIND THIS PLACE, BEFORE I KILL YOU?
- [ shouting ] - [ barking ]
I ONLY WANT THE CHILD. I HAVE MONEY.
I CAN GIVE YOU $100,000. I CAN GIVE YOU--
I HAVE THIS MONEY.
[ arguing in Spanish ]
HOW DO YOU FIND THIS PLACE? YOU'RE FUCKING CRAZY TO COME HERE.
MY CHILD WENT MISSING AND I WENT TO THE POLICE AND THEY GAVE ME THIS ADDRESS.
WHAT ARE YOU SAYING? FUCKING PUTA!
[ speaking Spanish ]
WHO FUCKING TELL YOU AT THE POLICE STATION, PUTA?
- MY FRIEND D-DIEGO. - WHO?
- MY FRIEND DIEGO. - WHAT?
- HE WANTED TO HELP. DIEGO. - DIEGO?
FUCK YOU.
[ screaming in Spanish ]
[ softly ] FUCK.
TOM, YOU IN HERE?
TOM? OH, TOM, GOD, YOU'RE HERE.
I'M HERE. IT'S OKAY, IT'S OKAY.
IT'S OKAY, HON. I'M HERE NOW.
- THEY'RE GONNA KILL ME! - THEY'RE NOT GONNA KILL ANYBODY.
THIS IS JUST A BIG SHOW. THEY WANT MONEY, THAT'S IT.
YOU GOT US INTO THIS. THIS IS YOUR FAULT!
ALL YOUR FAULT.
SIMMER DOWN! BUSTER, LISTEN TO ME.
THIS IS ALL JUST A BIG SCAM. THEY WANT MONEY.
- RIGHT? - OKAY, WELL, THEN TELL THEM TO CALL MY GRANDFATHER.
- HE'LL GIVE THEM WHATEVER THEY WANT. - WELL, I DID.
I'VE DONE IT. IT'S OKAY. HE'S SENDING MONEY TONIGHT WITH SOMEBODY.
- YOU CALLED MY GRANDFATHER? - YEAH, IT'S OKAY.
IT'S ALL HAPPENING. THIS KIND OF THING HAPPENS ALL THE TIME.
IT'S LIKE A NATIONAL PASTIME HERE.
THEY TAKE PEOPLE AND THEN THEY GET THEIR MONEY AND THEN THEY LET THEM GO.
LISTEN, AS FAR AS THEY'RE CONCERNED--
- LISTEN TO ME, LISTEN TO ME! - [ thuds ]
LISTEN-- LISTEN TO ME! LOOK AT ME, LOOK AT ME.
- LISTEN TO ME! - [ whimpers ]
AS FAR AS THEY'RE CONCERNED,
I'M YOUR MOTHER, YOU ARE MY SON, RIGHT?
YOU DON'T SAY A WORD ABOUT YOUR REAL MOTHER,
AND YOU DON'T SAY ONE THING ABOUT YOUR GRANDFATHER, RIGHT?
SO YOU LET ME DO ALL THE TALKING. YOU KEEP YOUR MOUTH SHUT.
OKAY? AND I'M GONNA GET US OUT OF HERE.
- HOW? - WELL--
[ speaking Spanish ]
HUH HUH?
THEY WANT-- THEY WANT TO KNOW HOW YOU FIND THIS PLACE.
HOW YOU FIND THIS PLACE? YOU FOLLOW MIGUEL?
- YOU FOLLOW MIGUEL? - MIGUEL?
I-I DON'T KNOW ANY MIGUELS.
HOW YOU DON'T KNOW? MIGUEL!
THE ONE YOU SAW AT THE CAFE, REMEMBER?
MIGUEL! WHO DID YOU SEE AT THE POLICE?
JUST A GUY, I DON'T KNOW HIS NAME.
- IS THAT MIGUEL? - [ speaking Spanish ]
PRETEND YOU HAVE A LOT OF MONEY.
- WHAT? - THEY WANT THE MONEY.
THEY WANT THE MONEY. THEY WANT THE MONEY.
GIVE US THE MONEY. GIVE US THE MONEY AND THAT'S IT.
YOU FUCKING AMERICAN SLUT.
- WE'RE TOURISTS, GOD DAMN IT. - AMERICAN.
WHO GAVE YOU THE ADDRESS?
- WHO GAVE YOU THE ADDRESS? - WHO GAVE ME THIS ADDRESS?
[ cursing ]
YOU!
HE-- HE DID IT. YEAH, HE GAVE ME THE ADDRESS.
- Tom: HIM. - YEAH YEAH!
AND HE TOLD ME-- HE DID-- AND HE TOLD ME
- TO SAY THAT I GOT IT FROM THE POLICE. - [ shouting ]
- NO NO NO. - Tom: IT WAS HIM.
- SHUSH. - TELL THE TRUTH, YOU FUCKING--
HE WANTED TO MAKE A DEAL. HE WANTED TO MAKE A DEAL WITH ME
BECAUSE HE WANTS TO GO TO AMERICA.
[ shouting ]
[ cell phone ringing ]
- SI. - Man: Miguel esta muerto.
- DEAD! - [ speaking Spanish ]
[ gunshots ]
[ dog barking ]
- YOU KILL MIGUEL, PUTA? - I'LL GIVE YOU $1 MILLION.
- WHAT? - $1 MILLION FOR YOU!
- ONE MILLION! - THAT'S TOO MUCH MONEY.
- HIS GRANDFATHER IS VERY RICH. - DO YOU HAVE IT?
- FOR YOU I HAVE IT TONIGHT. - Tom: DON'T KILL US OR YOU WON'T GET THE MONEY.
- OUT OUT. - COME ON, COME ON, GO.
GET OUT, GET OUT!
- [ barking ] - OH, DON'T LOOK, DON'T LOOK.
I-I-- MY PURSE?
- I NEED TO MAKE A CALL. - WHAT?
I NEED TO CALL MY HUSBAND FOR THE MONEY.
YOU STAY. YOU STAY THERE, PUTA.
HE EITHER COMES WITH THE MONEY OR I KILL YOU.
- OKAY! - OKAY.
HEY, GET IN THE CAR.
- GET IN RIGHT NOW. - COME ON, COME ON.
Mitch: Hello? Hello?
- IT'S ME. - Julia, I'm here. I'm in Tijuana at the airport.
Where are you?
STAY THERE
AND I'LL CALL YOU BACK WHEN I'VE, UH--
Listen, I have it with me right here, right now.
$2 million. I need to know, is Tom with you?
YEAH, HE-- HE'S RIGHT HERE.
- HE'S AT THE AIRPORT. - I HEAR YOU.
- HE SAYS TWO MILLION. - NO, HE-HE'S JUST CONFUSED.
- HE DOESN'T KNOW-- - FUCKING PUTA!
I HEAR YOUR HUSBAND. HE SAYS TWO MILLION.
YOU BRING THAT OVER HERE.
- NO NO NO, I TAKE MY BOY WITH ME. - FUCK YOU!
GIVE US THE FUCKING MONEY-- ALL THE FUCKING MONEY,
THEN YOU GET THE BOY, OKAY?
[ speaking Spanish ]
TOM, LISTEN, I HAVE TO GO WITH THEM, RIGHT?
- I HAVE TO GO AND GET THE MONEY. - I'M COMING WITH YOU.
NO NO, LISTEN, YOU'LL BE-- YOU'LL BE STRONG, RIGHT?
I'M COMING. I SWEAR ON MY LIFE.
I'M COMING TO GET YOU.
- OKAY? - LET'S GO.
- I'M TAKING MY SON WITH ME. - FUCK YOU!
THE BOY STAY WITH US.
GIVE US THE MONEY AND THEN YOU GET THE BOY.
[ grunting ]
YOU TOUCH A FUCKING HAIR ON HIS HEAD AND YOU'RE FUCKING DEAD!
[ Tom grunts ] JULIA, HELP!
- [ engine starts ] - NO, JULIA!
[ curses in Spanish ]
JULIA!
[ laughs ] YEEHAW!
TONIGHT YOUR BABY'S BACK IN YOUR ARMS,
AND SANTOS ISADIOS.
YOU DON'T SEE ME NO MORE.
EH? [ kisses ]
NO-- IS NOT NICE.
YOU LOOK LIKE OLD LADY WHEN YOU'RE ANGER.
I DON'T LIKE IT.
[ laughs ]
TODAY YOU LOSE AND I WIN, PUTA!
[ jet passing overhead ]
YOU SEE THIS CAR? TAKE IT.
LEAVE THE AIRPORT AND GO TO THE SOUTH.
TO TIJUANA.
TO THIS CELL PHONE, I CALL YOU.
HEY HEY! YOU DO WHAT EXACTLY I TELL YOU.
- [ door opens ] - THEN YOU GET THE KID.
WHAT'S YOUR NAME?
- LAURIE. - LAURIE?
BE SMART, MAMA LAURIE.
BE SMART. GET OUT.
HEY!
WHAT-- WHERE'S THE BOY?
- WELL, WHERE IS HE? - WE'RE DOING THIS MY WAY.
- HE'S IN TIJUANA. - OH GOD.
- I LEFT HIM IN TIJUANA. - [ groans ]
YOU-- YOU LEFT AN EIGHT-YEAR-OLD BOY ALONE IN TIJUANA?
HE'S SAFE! HE'S BEING WELL LOOKED AFTER.
- BY WHO? - HE'S WITH--
PEOPLE I KNOW. PEOPLE I TRUST.
I DON'T TRUST YOU, MITCH.
YOU WENT TO SEE WHYTEKEAR. YOU'RE ON HIS SIDE.
HOW CAN I BE SURE YOU'RE ALONE, THAT THERE ISN'T AN ARMY OF COPS BEHIND YOU?
NOW YOU'RE GONNA DO WHAT I TELL YOU. I WILL GIVE TOM BACK
WHEN I'M SAFE AND I'LL TELL YOU WHERE HE IS
AND HE WILL BE THERE AND WAITING FOR YOU...
- OKAY. - ...AND YOU CAN TAKE HIM BACK TO THAT BASTARD!
JUST-JUST-JUST-JUST--
JUST TAKE IT EASY. JUST-- JUST TAKE IT EASY.
JULIA, LOOK, HE-- HE'S-- HE'S--
HE'S AN OLD MAN-- WHYTEKEAR.
HE'S SICK. HE'S DYING. HE'S GOT A TUBE UP HIS NOSE.
HE CAN'T-- HE CAN'T BREATHE.
YOU KNOW WHAT IS GOING TO BE THE FIRST THING THEY DO WHEN THEY GET THAT KID BACK?
THEY'RE GONNA COME LOOKING FOR ME. AND THEY'RE GONNA FIND ME
AND THEY'RE GONNA FUCKING CRUCIFY ME.
I AM FIGHTING FOR MY SKIN HERE, MITCH, AND I AM DEAD WITHOUT THAT MONEY
AND YOU KNOW IT.
SO SHOOT ME, GO AHEAD. YOU GOT A GUN? TAKE IT!
GO AHEAD. WHAT ARE YOU GONNA DO NOW, HUH?
YOU'RE NOT GETTING THE MONEY UNLESS I GET THE KID.
YOU GOTTA TRUST ME, JULIA.
LOOK AT ME, WHY DO YOU THINK I'M HERE?
IT'S BECAUSE OF YOU.
[ snickers ] YOU'RE HERE FOR ONE REASON.
FOR ONLY ONE REASON, MITCH, AND THAT IS
THAT YOUR WIFE DIDN'T TURN YOU IN.
- OH YEAH. - [ sighs ]
YOU GOT LUCKY, MAN.
I DON'T HAVE THAT LUCK.
LOOK AT ME.
YOU KNOW I DIDN'T TURN YOU IN.
- [ softly ] DO I? - JULIA,
WE ALL KNEW THAT ELENA'S STUPID INSANE STORY
ABOUT GETTING HER KID BACK
WAS BULLSHIT. WE HEARD IT OVER AND OVER AGAIN AT MEETINGS.
WHY IS IT THAT YOU ARE THE ONLY ONE
WHO BELIEVED HER? WHY?
YOU'RE DANGEROUS TO THIS KID, JULIA, BECAUSE YOU'RE A DANGER TO YOURSELF.
YOU SEE THAT? NO.
YOU DON'T HAVE THE GUTS TO SEE IT.
YOU'RE BLIND.
I'M GOING.
GO.
JULIA?
WE'RE AT THE AIRPORT HOTEL. WE'RE WAITING FOR THE KID.
[ footsteps departing ]
OHHH...
- YOU GOT THE MONEY? - SHUT YOUR HOLE. YEAH, I GOT THE MONEY.
NOT HERE.
I WILL FEED THAT FUCKING KID'S FACE TO MY DOG.
I'M NOT THE MOTHER, ASSHOLE.
RIGHT? I DON'T GIVE A FLYING FUCK WHAT YOU DO TO HIM.
YOU'RE NOT THE ONE WHO KIDNAPPED THAT KID, SANTOS,
LET ME TELL YOU: I DID.
YEAH, TAKE IT IN.
YOU DIDN'T ASK THE FAMILY FOR A RANSOM.
I DID! YOU KNOW FOR HOW MUCH?
$2 MILLION.
OH YEAH.
TODAY YOU LOSE, I WIN. ¿ ENTIENDES,FUCKFACE?
HERE'S MY DEAL: YOU GET EXACTLY HALF.
I'LL DO THE MATH FOR YOU-- THAT IS $1 MILLION.
OKAY? WHEN I GET THE KID BACK.
[ chuckling ]
I CAN'T BELIEVE THIS. NO MOMMIES.
READ "THE L.A. TIMES," YOU STUPID SHIT.
MY FUCKING FACE IS ALL OVER IT. YOU DON'T KNOW WHO I AM?
I'M JULIA HARRIS. I KIDNAPPED THAT LITTLE SHIT.
AND I NEED A GUN.
[ sighs ]
[ honking ]
[ honks ]
- Tom: OW! - [ kidnapper shouts ]
[ Tom shouting ] HELP! OW!
JULIA!
- JULIA! - YOU FUCK.
[ honks ]
- LET ME SEE. - OKAY OKAY.
- LET ME SEE AND NOW TURN AROUND. - I DON'T HAVE GUN ON ME.
- I DON'T HAVE GUN! - NOW GET IN THE CAR. GET IN THE CAR.
- OKAY, WHERE'S THE MONEY? - IT'S THERE.
- WHERE? - THERE ON THE FLOOR.
IN ONE PLASTIC BAG? WHAT THE FUCK, YOU FUCKING CRAZY PUTA?
- IT'S ALL THERE. - SANTA MARIA...
- YOU GONNA COUNT IT? - FUCK ME.
- FUCK ME, PUTA. - NOW WILL YOU CALL HIM AND TELL HIM TO BRING THE KID?
- I GOT A BETTER IDEA. - NOW.
LOSE THE MOTHERFUCKERS. YOU HAVE THE OTHER MILLION HERE?
- NO. - WE COULD PICK THE MONEY.
MIRA, LOOK LOOK LOOK,
BETWEEN OF US, WE HAVE TWO FUCKING MILLIONS OF DOLLAR.
I WOULDN'T WIPE MY ASS WITH YOU.
- YOU MAKE THAT CALL. - ONE DAY...
YOU SORRY TO SAY THAT.
- YOU MAKE THAT CALL NOW. - FUCK YOU.
[ mutters ]
JOSE?
YOU GET OUT OF THE CAR. GET OUT OF THE FUCKING CAR!
[ curses in Spanish ]
TOM! TOM, COME HERE, TOM!
- [ honking ] - [ brakes squeal ]
COME HERE, TOM! TOM, COME HERE TO ME.
TOM, TOM, TOM, COME HERE.
- [ honking ] - SHE SAID THAT YOU MUST COME WITH ME.
COME HERE TO ME! GET AWAY FROM HIM!
- [ honking throughout ] - YOU STAY AWAY FROM TOM!
- HEY, TOM? - Julia: TOM, TOM!
TOM, YOU STAY BACK. YOU FUCKING STAY AWAY FROM HIM!
WAIT, TOM, TOM!
- TOM, TOM-- OW! - [ thuds ]
OW, FUCK!
QUICK QUICK! LA PISTOLA, CABRON.
LA PISTOLA.
THE FUCK ARE YOU DOING, PENDEJA?
YOU STAY AWAY FROM US! YOU STAY AWAY FROM US!
YOU FUCKING STAY AWAY FROM US.
THERE'S A MILLION DOLLARS IN THE TRUNK OF MY CAR.
TAKE IT.
TAKE ALL OF IT.
I KNEW YOU WERE THE MOTHER, PENDEJA. I KNEW IT!
[ laughs ]
I'M RICH.
- I'M RICH, PUTA. - [ honks ]
[ laughing ]
[ cursing ]
ADIOS, MAMACITA, ADIOS.
OKAY, I'M TAKING YOU TO YOUR MOTHER.
[ jazz score playing ]
♪ OKAY, WHAT DO WE GOT HERE? ♪
♪ A HORNY BLACK BOY AND A FRISKY WHITE GIRL ♪
♪ EYE EACH OTHER ACROSS THE ROOM ♪
♪ AND THE CHEMISTRY IS UNBEARABLE ♪
♪ AND DEFINITELY NOT ON ANYONE'S AGENDA ♪
♪ HE SUGGESTS THEY GO SOMEPLACE THEY WON'T BE SEEN ♪
♪ AND SHE THINKS OTHERWISE, FINALLY THEY AGREE TO GO ♪
♪ AND PUT UP WITH DUNKIN' DONUTS ♪
♪ THE USUAL STORY ♪
♪ THEY FALL IN LOVE UNDER A HAIL OF SPIT ♪
♪ THAT THEY IGNORE WHILE SECRETLY CONSPIRING TO MURDER EACH OTHER ♪
♪ HOPING THAT WILL ALLEVIATE THE SLIGHTLY MORE UNCOMFORTABLE ♪
♪ FEELINGS THAT MAY ARISE IN A SITUATION LIKE THIS ♪
♪ BUT BEHIND CLOSED DOORS, THE EYES OF THE WORLD ♪
♪ BECOMING THEIR WALLPAPER ♪
♪ THEY MELT INTO A BEAUTIFUL EXAMPLE OF A POWER ♪
♪ THAT DEFINITELY EXISTS ♪
♪ AND COME TOGETHER ON A WARM MOONLIT NIGHT... ♪